Progress: Procedure completed
Role | Committee | Rapporteur | Shadows |
---|---|---|---|
Lead | CULT | SANCHEZ-SCHMID Marie-Thérèse ( PPE) | COSTA Silvia ( S&D), MĂNESCU Ramona Nicole ( ALDE), BENARAB-ATTOU Malika ( Verts/ALE), MCCLARKIN Emma ( ECR) |
Committee Opinion | EMPL | DELLI Karima ( Verts/ALE) | Patrick LE HYARIC ( GUE/NGL), Jutta STEINRUCK ( S&D) |
Committee Opinion | ITRE | BELET Ivo ( PPE) | Vicky FORD ( ECR) |
Committee Opinion | REGI | VLASÁK Oldřich ( ECR) | Ramona Nicole MĂNESCU ( PPE), Monika SMOLKOVÁ ( S&D) |
Committee Opinion | INTA | (THE EARL OF) DARTMOUTH William ( EFD) | |
Committee Opinion | IMCO | ||
Committee Opinion | JURI | WIKSTRÖM Cecilia ( ALDE) |
Lead committee dossier:
Legal Basis:
RoP 54
Legal Basis:
RoP 54Subjects
Events
The European Parliament adopted a resolution on unlocking the potential of cultural and creative industries (CCI) in response to the Green Paper on the subject. It notes that the CCI, which account for 5 million jobs and 2.6% of EU GDP, are one of the main drivers for growth in the EU, creating new jobs, playing key roles in global value chains, spurring innovation, providing added value as a factor for social cohesion and serving as an efficient tool in the fight against the current recession. These industries are a driving force for economies in the digital age, making a significant contribution to innovation and the development of new ICT.
Cultural and creative industries as a driving force in the EU : Parliament calls on the Commission to pursue its efforts to produce a better definition of CCI with a view to analysing in depth their impact on long-term growth and international competitiveness. It calls on Member States to be strongly committed to protecting and supporting their own cultural heritage, recognising that for CCI to develop requires a dual economy where public and private investment coexists.
The Commission is asked to:
foster a more elaborate system of cooperation among Member States and EU institutions, based on sharing experience of good practice, and also include local and regional authorities in the follow-up process to the Green Paper; draw up a White Paper, in view of the ever increasing importance of CCI as well as the objective of strengthening this sector, which is of strategic importance for the achievement of the Europe 2020 goals.
Education, training and awareness-raising : Parliament encourages the promotion of artistic and cultural education (with particular emphasis on creativity) among all age groups, and the development of creators’ entrepreneurial skills. It reminds the Commission and Member States of the urgent need to recognise vocational qualifications in the CCI, to promote student and lecturer mobility and further develop training-work experience internships for artists and creators. It further calls on them to create new pilot projects under the Erasmus and Erasmus for Young Entrepreneurs programmes to allow for greater collaboration between universities and enterprises in the cultural and creative sector.
Improving the distribution of works in the digital age : the resolution encourages Member States to promote the distribution and circulation of works across the EU. It asks the Commission to consider the possibility of establishing specific actions and suitable tools to support European CCI, in particular SMEs. It also wants the Commission to ensure the strict implementation of Article 13 of the Audiovisual Media Services Directive, which provides for the Member States to ensure that on-demand audiovisual media services promote the production of and access to European works and to report to it on the implementation of this provision no later than 2012.
Towards an internal market for cultural and creative content : Parliament calls on Member States and the Commission to take the necessary steps to establish a European internal market for on-line cultural and creative content and guarantee access to this content to European citizens whilst ensuring that those entitled are protected and properly compensated and that all funding channels for the creative sector are consolidated. It also calls on the Commission to support new and innovative economic models in the creative and cultural sector which are adapted to the impact of globalisation and the challenges of the digital age, particularly with regard to content industries.
Intellectual property rights : Members note that, in order to flourish, Europe’s CCI require a modern, accessible and legally certain system for the protection of intellectual property rights (IPR). They emphasise that IPR are a fundamental asset for creative companies and an incentive for individual creativity and investment in creation. They call, therefore, for schemes to help CCI adapt to the digital shift via new online services based on new forms of rights management promoting authors’ rights, and for a balanced regulatory framework governing the protection and enforcement of IPR. Parliament calls on the Commission to:
adapt copyright to the digital era allowing CCI to reap the benefits created by digital technology and media convergence and to consider specific ways of facilitating the use of creative content and archived material and easy, one-stop-shop systems for the clearance of rights; enable the viability of a pan-European licensing system that builds on the existing multi-territory individual and collective rights licensing models and facilitates the launch of services with a wide choice of content, hereby increasing legal access to online cultural content; organise a campaign to raise awareness especially among young European consumers, of the need to respect IPR; tackle abusive commercial practices and violations of IPR, of which CCI can be victims in both the real and digital economy.
Members welcome the Commission’s revision of the EU trademark system and encourage the Commission to see to it that the relevant steps are taken to ensure that trademarks can benefit from the same level of protection in both the online and offline environments.
Funding cultural and creative industries : Members note that there must be a guarantee of strategic investments in CCI in order to enable them to play a full part in boosting the European economy. They call on all actors concerned to consider introducing new, innovative financial instruments , both at a European level and at national level, such as bank guarantee measures, repayable advances, risk-capital funds and incentives for the establishment of local partnerships, which take account of the needs of these industries and especially of the fact that creators’ only form of capital is, in many cases, non-material. The Commission is asked to grant the CCI SME status in their own right in regard to all arrangements for access to credit, start-up support and employment protection, which should be suitably adapted to the specificities of the sector.
Members make a series of proposals with regard to financing for the CCI, including the following:
mobilisation of, and simplified application for, existing EU funds and programmes (such as the Microfinance Facility) for the development of small and micro-enterprises in the cultural and creative sector, with a view to optimising support for enterprises by facilitating access to information on funding options; the introduction of short-term microfinancing to encourage experimentation and the development of innovative cultural and creative projects; the Commission to assess the relevance of the structural funds, as well as current and future programmes in the fields of culture, audiovisual media, youth provision and education, in terms of their potential to further the creative sector, and that it formulate conclusions and act on them with a view to an improved support policy; better access to credit for the CCI and for alternative formulas such as tax relief or tax incentives to be examined in order to encourage patronage by enterprises; developing finance and business management consultation and advisory services to allow people working in the CCI to understand the tools required for good business management in order to improve the creation, production, promotion and distribution of cultural goods and services.
Local and regional cooperation : Parliament emphasises that the CCI contribute, in many cases, to the transformation of declining local economies by encouraging the emergence of new types of economic activity, creating new jobs and making European regions and cities more attractive, thus serving the interests of social and territorial cohesion. Members believe therefore that the establishment of CCI and the development of those which already exist must be supported by means of national, regional and local development strategies, in a partnership between public authorities representing different policy areas, SMEs and relevant civil society representatives. Member States and regions are asked to create opportunities for such cooperation, and to explore innovation voucher schemes to help cultural and creative SMEs and individuals acquire professional skills.
International relations and trade : Parliament stresses the great potential of CCI in international trade and assumes that its significance is being underestimated owing to the difficulty of gathering data. It calls on the Commission, in view of the proliferation of bilateral trade agreements, to submit to Parliament a clear, overall strategy on the cultural cooperation protocols (CCP) annexed to those agreements, with a view to adapting the offer of European cooperation to the needs and specific characteristics of CCI in the partner countries.
The Committee on Culture and Education adopted the own-initiative report by Marie-Thérèse Sanchez-Schmid (EPP, FR) on unlocking the potential of cultural and creative industries (CCI) in response to the Green Paper on the subject. It notes that the CCI, which account for 5 million jobs and 2.6% of EU GDP, are one of the main drivers for growth in the EU, creating new jobs, playing key roles in global value chains, spurring innovation, providing added value as a factor for social cohesion and serving as an efficient tool in the fight against the current recession. These industries are a driving force for economies in the digital age, making a significant contribution to innovation and the development of new ICT.
Cultural and creative industries as a driving force in the EU : the committee calls on the Commission to pursue its efforts to produce a better definition of CCI with a view to analysing in depth their impact on long-term growth and international competitiveness. It calls on Member States to be strongly committed to protecting and supporting their own cultural heritage, recognising that for CCI to develop requires a dual economy where public and private investment coexists.
The Commission is asked to:
foster a more elaborate system of cooperation among Member States and EU institutions, based on sharing experience of good practice, and also include local and regional authorities in the follow-up process to the Green Paper; draw up a White Paper, in view of the ever increasing importance of CCI as well as the objective of strengthening this sector, which is of strategic importance for the achievement of the Europe 2020 goals.
Education, training and awareness-raising : the report encourages the promotion of artistic and cultural education (with particular emphasis on creativity) among all age groups, and the development of creators’ entrepreneurial skills. It reminds the Commission and Member States of the urgent need to recognise vocational qualifications in the CCI, to promote student and lecturer mobility and further develop training-work experience internships for artists and creators. It further calls on them to create new pilot projects under the Erasmus and Erasmus for Young Entrepreneurs programmes to allow for greater collaboration between universities and enterprises in the cultural and creative sector.
Improving the distribution of works in the digital age : the committee encourages Member States to promote the distribution and circulation of works across the EU. It ask the Commission to consider the possibility of establishing specific actions and suitable tools to support European CCI, in particular SMEs. It also wants the Commission to ensure the strict implementation of Article 13 of the Audiovisual Media Services Directive, which provides for the Member States to ensure that on-demand audiovisual media services promote the production of and access to European works and to report to it on the implementation of this provision no later than 2012.
Towards an internal market for cultural and creative content : the report calls on Member States and the Commission to take the necessary steps to establish a European internal market for on-line cultural and creative content and guarantee access to this content to European citizens whilst ensuring that those entitled are protected and properly compensated and that all funding channels for the creative sector are consolidated. It also calls on the Commission to support new and innovative economic models in the creative and cultural sector which are adapted to the impact of globalisation and the challenges of the digital age, particularly with regard to content industries.
Intellectual property rights : Members note that, in order to flourish, Europe’s CCI require a modern, accessible and legally certain system for the protection of intellectual property rights (IPR). They emphasise that IPR are a fundamental asset for creative companies and an incentive for individual creativity and investment in creation. They call, therefore, for schemes to help CCI adapt to the digital shift via new online services based on new forms of rights management promoting authors’ rights, and for a balanced regulatory framework governing the protection and enforcement of IPR. The committee calls on the Commission to:
adapt copyright to the digital era allowing CCI to reap the benefits created by digital technology and media convergence and to consider specific ways of facilitating the use of creative content and archived material, putting in place extended collective licensing systems and easy, one-stop-shop systems for the clearance of rights; enable the viability of a pan-European licensing system that builds on the existing multi-territory individual and collective rights licensing models and facilitates the launch of services with a wide choice of content, hereby increasing legal access to online cultural content; organise a campaign to raise awareness especially among young European consumers, of the need to respect IPR; tackle abusive commercial practices and violations of IPR, of which CCI can be victims in both the real and digital economy;
Members welcome the Commission’s revision of the EU trademark system and encourage the Commission to see to it that the relevant steps are taken to ensure that trademarks can benefit from the same level of protection in both the online and offline environments.
Funding cultural and creative industries : Members note that there must be a guarantee of strategic investments in CCI in order to enable them to play a full part in boosting the European economy. They call on all actors concerned to consider introducing new, innovative financial instruments , both at a European level and at national level, such as bank guarantee measures, repayable advances, risk-capital funds and incentives for the establishment of local partnerships, which take account of the needs of these industries and especially of the fact that creators’ only form of capital is, in many cases, non-material. The Commission is asked to grant the CCI SME status in their own right in regard to all arrangements for access to credit, start-up support and employment protection, which should be suitably adapted to the specificities of the sector.
Members make a series of proposals with regard to financing for the CCI, including the following:
mobilisation of, and simplified application for, existing EU funds and programmes (such as the Microfinance Facility) for the development of small and micro-enterprises in the cultural and creative sector, with a view to optimising support for enterprises by facilitating access to information on funding options; the introduction of short-term microfinancing to encourage experimentation and the development of innovative cultural and creative projects; the Commission to assess the relevance of the structural funds, as well as current and future programmes in the fields of culture, audiovisual media, youth provision and education, in terms of their potential to further the creative sector, and that it formulate conclusions and act on them with a view to an improved support policy; better access to credit for the CCI and for alternative formulas such as tax relief or tax incentives to be examined in order to encourage patronage by enterprises; developing finance and business management consultation and advisory services to allow people working in the CCI to understand the tools required for good business management in order to improve the creation, production, promotion and distribution of cultural goods and services.
Local and regional cooperation : the report emphasises that the CCI contribute, in many cases, to the transformation of declining local economies by encouraging the emergence of new types of economic activity, creating new jobs and making European regions and cities more attractive, thus serving the interests of social and territorial cohesion. Members believe therefore that the establishment of CCI and the development of those which already exist must be supported by means of national, regional and local development strategies, in a partnership between public authorities representing different policy areas, SMEs and relevant civil society representatives. Member States and regions are asked to create opportunities for such cooperation, and to explore innovation voucher schemes to help cultural and creative SMEs and individuals acquire professional skills.
International relations and trade : the report stresses the great potential of CCI in international trade and assumes that its significance is being underestimated owing to the difficulty of gathering data. It calls on the Commission, in view of the proliferation of bilateral trade agreements, to submit to Parliament a clear, overall strategy on the cultural cooperation protocols (CCP) annexed to those agreements, with a view to adapting the offer of European cooperation to the needs and specific characteristics of CCI in the partner countries.
PURPOSE: to present a Green Paper on unlocking the potential of cultural and creative industries.
CONTENT: this paper begins by noting the untapped potential in the cultural and creative industries to create growth and jobs. Europe must identify and invest in new sources of smart, sustainable and inclusive growth drivers. Much of our future prosperity will depend on how we use our resources, knowledge and creative talent to spur innovation. Europe's cultural and creative industries offer a real potential to respond to these challenges thereby contributing to the Europe 2020 strategy and some of its flagship initiatives such as the Innovation Union, the Digital Agenda, tackling climate change, the Agenda for new skills and new jobs or an industrial policy for the globalisation era. Many recent studies have shown that the cultural and creative industries ("CCIs") represent highly innovative companies with a great economic potential and are one of Europe's most dynamic sectors, contributing around 2.6 % to the EU GDP, with a high growth potential, and providing quality jobs to around 5 million people across EU-27.
Furthermore, cultural contents play a crucial role in the deployment of the information society, fuelling investments in broadband infrastructures and services, in digital technologies, as well as in new consumer electronics and telecommunication devices. Beyond their direct contribution to GDP, CCIs are also important drivers of economic and social innovation in many other sectors. For CCIs to be able to make the most of the opportunities offered by cultural diversity, globalization and digitization, which are the key drivers for the further development of these industries, the challenge is:
to put the right enablers in place by increasing the capacity to experiment, innovate and succeed as entrepreneurs, and providing easier access to funding and the right mix of skills; to help CCIs develop in their local and regional environment as a launch pad for a stronger global presence, including through increased exchange and mobility; to move towards a creative economy by catalyzing the spill-over effects of CCIs on a wide range of economic and social contexts.
At a time when some of our international partners already largely tap into the multifaceted resources of CCIs, the EU still has to develop a strategic approach to make its strong and attractive cultural assets the basis of a powerful creative economy and a cohesive society. CCIs need an increased capacity for experimenting and innovating, access to the right mix of skills and access to funding. In this context, the Green paper discuses the following issues:
New spaces for experimentation, innovation and entrepreneurship in the cultural and creative sector : the paper asks how to create more spaces and better support for experimentation, innovation and entrepreneurship in the CCIs. More particularly, it asks how to increase access to ICT services in/for cultural and creative activities and improve the use of their cultural content, and how ICTs could become a driver of new business models for some CCIs.
Better matching the skills needs of CCIs: at the crossroads of creativity and entrepreneurship, it remains difficult for companies in the CCIs, in particular SMEs, to find staff with the right mix of skills. Ensuring a better match between the supply of skills and the demands of the labour market is crucial in the medium and long run to boosting the sector's competitive potential. The paper asks how to foster art and design schools/business partnerships as a way to promote incubation, start-ups and entrepreneurship, as well as e-skills development, and how peer-coaching in the CCIs could be encouraged at the level of the European Union.
Access to funding : this is a core barrier to growth for many businesses within the sector. Many cultural and creative entrepreneurs are SMEs and enterprises consisting of one to two people represent the overwhelming majority of the companies of the sector and encompass this new type of "entrepreneurial individuals" or "entrepreneurial cultural workers", who no longer fit into previously typical patterns of full time professions. CCIs face specific challenges in achieving investment readiness for various reasons; lack of information and understanding about relevant sources of finance, difficulty in developing and presenting a business plan in a convincing way, or reliance on a failing business model. Furthermore, these businesses are – for the greater part – prototype or project-based, heavily dependent on their "star products" or services and largely depend on individual talent and risk taking. CCIs access to financial support is limited as many businesses suffer from chronic undercapitalization and face serious problems in obtaining adequate valuation of their immaterial, e.g. copyright assets (such as artists signed to record labels, writers signed to publishing houses or catalogues of musical or cinematographic works) when raising finance. Contrary to businesses in technological fields, the immaterial assets of CCIs have no recognised value in balance sheets and their investments in developing new talents and creative ideas are not in line with the standard concept of "research and development". Against this background, , innovative financial instruments, such as venture capital and guarantees and other risk sharing instruments that are delivered through market players can play an important role in facilitating access to finance by SMEs. Such instruments are being implemented in the context of market-oriented EU expenditure programmes (such as the Competitiveness and Innovation Programme). They have proven to be effective in helping SMEs to access finance, but have been targeting a wide range of SMEs with no specific focus on companies from the CCI.
More specifically targeting CCIs, interesting new financial models have emerged at national or regional level. Some of these ease access to loans by pooling cross-sectoral expertise to evaluate companies and their projects. Others bring together investors and companies in need of venture capital for growth, including through so-called crowdfunding. The Commission also explores the possibility to set up a Production Guarantee Fund for the audiovisual sector in the context of the implementation of the MEDIA programme.
The Green Paper goes on to note that CCIs develop at the local and regional levels , where networking and clustering function. Promoting the mobility of artists and cultural practitioners is a way to help our CCIs make the leap from local to global, and ensure a European presence worldwide. The paper asks how to strengthen the integration of CCIs into strategic regional/local development, and which tools and which partnerships are needed for an integrated approach.
Lastly, the paper discusses the spillover effects : the cultural sector and CCIs can make a fundamental contribution to responding to major challenges such as the fight against global warming and transition to a green economy and a new sustainable model of development. Art and culture have a unique capacity to create green jobs, to raise awareness, challenge social habits and promote behavioural shifts in our societies, including our general attitude to nature. The key question here is how to accelerate the positive spill-over effects that culture and CCIs can produce on the wider economy and society.
This Green Paper aims to spark a debate on the requirements of a truly stimulating creative environment for the EU's CCIs. It includes multiple perspectives, from that of the business environment to the need to open up a common European space for culture, from capacity building to skills development and promotion of European creators on the world stage.
Documents
- Commission response to text adopted in plenary: SP(2011)6333
- Results of vote in Parliament: Results of vote in Parliament
- Debate in Parliament: Debate in Parliament
- Decision by Parliament: T7-0240/2011
- Committee report tabled for plenary, single reading: A7-0143/2011
- Committee report tabled for plenary: A7-0143/2011
- Document attached to the procedure: SEC(2011)0399
- Document attached to the procedure: EUR-Lex
- Committee opinion: PE456.617
- Committee opinion: PE454.701
- Amendments tabled in committee: PE454.693
- Committee opinion: PE454.435
- Committee opinion: PE452.826
- Committee draft report: PE454.692
- Committee opinion: PE448.926
- Contribution: COM(2010)0183
- Contribution: COM(2010)0183
- Contribution: COM(2010)0183
- Non-legislative basic document published: COM(2010)0183
- Non-legislative basic document published: EUR-Lex
- Committee opinion: PE448.926
- Committee draft report: PE454.692
- Committee opinion: PE452.826
- Committee opinion: PE454.435
- Amendments tabled in committee: PE454.693
- Committee opinion: PE454.701
- Committee opinion: PE456.617
- Document attached to the procedure: SEC(2011)0399 EUR-Lex
- Committee report tabled for plenary, single reading: A7-0143/2011
- Commission response to text adopted in plenary: SP(2011)6333
- Contribution: COM(2010)0183
- Contribution: COM(2010)0183
- Contribution: COM(2010)0183
Amendments | Dossier |
424 |
2010/2156(INI)
2010/11/15
EMPL
82 amendments...
Amendment 1 #
Draft opinion Paragraph 1 Amendment 10 #
Draft opinion Paragraph 1 – subparagraph 1 (new) Believes that the potential for job creation in the cultural and creative industries is still under-recognised in the EU;
Amendment 11 #
Draft opinion Paragraph 1 – subparagraph 2 (new) Emphasises the need to promote the creation of decent, high-quality jobs in the cultural and creative sector;
Amendment 12 #
Draft opinion Paragraph 1 a (new) 1a. Considers that access to knowledge and creative content is a key aspect of fundamental rights, as is respect for cultural diversity, especially that of particularly vulnerable people;
Amendment 13 #
Draft opinion Paragraph 1 b (new) 1b. Considers that the lack of harmonisation with regard to copyright exemptions acts as a brake on the Europe- wide circulation of knowledge-based products and services and on job creation in innovative sectors where the technological environment is constantly evolving;
Amendment 14 #
Draft opinion Paragraph 1 c (new) 1c. Considers that creativity depends on access to existing knowledge, works and creative content;
Amendment 15 #
Draft opinion Paragraph 1 d (new) 1d. Considers that the cultural and creative industries represent potential for the creation of high-quality jobs not vulnerable to relocation, and that they have a key role to play in the development of a society based on knowledge and innovation;
Amendment 16 #
Draft opinion Paragraph 1 e (new) 1e. Sees the wide diversity in the status of cultural and creative sector practitioners – amateurs, volunteers, employees, entertainment-industry contract workers and individual entrepreneurs, etc. – and in their working methods as a reflection of rich variety in Europe that must be preserved, while at the same time preventing discrimination among practitioners and affording them access to labour and social rights, so as to ensure fair and regular remuneration, thereby reducing financial insecurity;
Amendment 17 #
Draft opinion Paragraph 1 a (new) 1a. Emphasises the cultural and creative industries’ potential – via the knock-on effect of innovation in the sector – to generate jobs that are not vulnerable to relocation;
Amendment 18 #
Draft opinion Paragraph 1 b (new) 1b. Believes that an environment conducive to the development of these industries should be established so that they can realise their job-creating potential, and sees this as a task for the Commission in the context of its ongoing work on the Europe 2020 strategy flagship initiative of ‘industrial policy for the globalisation era’;
Amendment 19 #
Draft opinion Paragraph 1 c (new) 1c. Emphasises the need to reduce the inequalities faced by practitioners in the cultural and creative sector and to fight the proliferation of atypical contracts in the sector, as well as discrimination there, especially in relation to pay, jobs that match the level of qualifications, and social security; calls on the Member States to introduce changes to their social security systems to meet the needs of practitioners in the cultural and creative sector;
Amendment 2 #
Draft opinion Paragraph 1 1. Emphasises – given that the creative industries represent an important part of the European economy and will contribute significantly to achieving the Union’s employment targets under the Europe 2020 strategy, especially through the initiatives for new jobs and the ‘industrial policy for the globalisation era’ – the need to reduce the inequalities faced by practitioners in the cultural and creative sector and to fight discrimination in these sectors, especially as regards pay, jobs that match the level of qualifications, and social security; calls on the Member States to introduce changes to their social security systems to meet the needs of practitioners in the cultural and creative sectors;
Amendment 20 #
Draft opinion Paragraph 1 a (new) 1a. Considers it essential to focus attention on the special employment status of workers in the knowledge, creative and cultural sectors, whose importance to innovation in the EU economy has been emphasised as it should, but without sufficient account being taken of specific features and circumstances stemming from the mobility and discontinuity of employment in such occupations; calls on the Commission, therefore, to give further consideration to such aspects and put forward relevant proposals;
Amendment 21 #
Draft opinion Paragraph 1 b (new) 1b. Stresses that culture is a fundamental public good which is essential to the development of all facets of Europe and to overcoming nationalism and barriers of all kinds; considers that the EU should support the cultural and creative industries with specific programmes and guarantee funds;
Amendment 22 #
Draft opinion Paragraph 1 a (new) 1a. Acknowledges the strategic importance of cultural and creative industries to the Europe 2020 strategy, both as a means of promoting cultural identities and in view of their considerable potential for innovation for the benefit of the production sector as a whole, including non-profit organisations, particularly in terms of employment, advanced skills, international competitiveness, the promotion of regions and geographical and cultural resources, and technological innovation;
Amendment 23 #
Draft opinion Paragraph 1 a (new) 1a. Points out that CCIs operate within a rapidly changing environment characterised by swift development and deployment of digital ICTs on a global scale;
Amendment 24 #
Draft opinion Paragraph 1 b (new) 1b. Stresses that access to finance is a major barrier to growth for many businesses within the sector; points out that many of the firms working in the cultural and creative sectors are small and medium-sized enterprises;
Amendment 25 #
Draft opinion Paragraph 1 c (new) 1c. Points out that CCIs often help to revitalise local economies in difficulty, contributing to the emergence of new economic activities and creating new jobs that help develop entire European regions;
Amendment 26 #
Draft opinion Paragraph 1 d (new) 1d. Stresses that CCIs are of vital importance to growth, employment and competitiveness, and can also help promote cultural identity and diversity at local and regional level;
Amendment 27 #
Draft opinion Paragraph 2 2. Calls on the Commission to respect and acknowledge actions taken by cultural services and not-for-profit organisations involved in the development of a creative inclusive economy; calls on the Commission and the Member States to encourage and embed good practices designed to facilitate access for young and particularly vulnerable people to culture and creative content – for example, reduced prices, culture vouchers and free cultural activities;
Amendment 28 #
Draft opinion Paragraph 2 2. Calls on the Commission to
Amendment 29 #
Draft opinion Paragraph 2 2. Calls on the Commission to respect and acknowledge actions taken by cultural services
Amendment 3 #
Draft opinion Paragraph 1 1.
Amendment 30 #
Draft opinion Paragraph 2 a (new) 2a. Considers that fashion and cultural and sustainable tourism should be added to the sectors identified in the Green Paper as forming part of the CCIs; points out that the two sectors are characterised by a high degree of creativity and an entrepreneurial spirit which has a significant impact on the economy and international competitiveness of the EU;
Amendment 31 #
Draft opinion Paragraph 2 a (new) 2a. Considers it essential to improve the knowledge, capabilities and professional prospects of those employed in the cultural and creative sector and encourages Member States to promote lifelong learning programmes for this purpose;
Amendment 32 #
Draft opinion Paragraph 2 a (new) 2a. Stresses that the creative sector boosts employment in the European Union and that the employment relationships of workers in the sector are atypical compared with those of wage earners;
Amendment 33 #
Draft opinion Paragraph 2 b (new) 2b. Calls for account to be taken of the fact that a significant proportion of the work in the creative sector is performed without any employment relationship, either by self-employed workers or by small businessmen and women, which has a considerable influence on the job security and social security of workers in the sector;
Amendment 34 #
Draft opinion Paragraph 3 3. Favours initiatives on mobility, particularly for students and young creators whether qualified or
Amendment 35 #
Draft opinion Paragraph 3 3. Favours EU and Member States’ initiatives on mobility, particularly for students, apprentices, trainees and young creators whether qualified or not, as well as the development of residencies and workshops for artists, and calls on the EU and the Member States to remove barriers to the free movement of persons and the issue of visas, particularly with reference to exchanges between EU artists and between EU and non-EU countries;
Amendment 36 #
Draft opinion Paragraph 3 3. Favours initiatives on mobility, particularly for students and young creat
Amendment 37 #
Draft opinion Paragraph 3 3.
Amendment 38 #
Draft opinion Paragraph 3 3.
Amendment 39 #
Draft opinion Paragraph 3 3. Favours initiatives on mobility, particularly for students and young creators whether qualified or not, as well as the development of residencies and workshops for artists, and calls on the Member States to remove barriers to free movement, particularly with reference to exchanges between EU artists and also to look at the feasibility of exchange programmes for people in this sector between EU and non- EU countries; calls on the Commission to ensure that the right to free movement within the EU can be exercised;
Amendment 4 #
Draft opinion Paragraph 1 1.
Amendment 40 #
Draft opinion Paragraph 3 3. Favours initiatives on mobility, particularly for students and young creators
Amendment 41 #
Draft opinion Paragraph 3 a (new) 3a. Calls on the Commission and the Member States to grant artists, authors and creative workers a special employment status and to lay down relevant criteria in appropriate legislative instruments relating to social protection, employment support and access to formal and informal training courses; points out that artists, authors and creative workers are fundamental to CCIs and should be given assistance in fully realising their potential;
Amendment 42 #
Draft opinion Paragraph 3 b (new) 3b. Calls for appropriate measures to be taken to close the substantial negative gap which characterises women’s work and pay in the CCIs;
Amendment 43 #
Draft opinion Paragraph 3 a (new) 3a. Encourages the Member States to guarantee that, in terms of preferential arrangements for access to culture (e.g. reduced prices, free entry on certain days), all young people are treated equally irrespective of their status (as students, apprentices, trainees or job seekers, etc.);
Amendment 44 #
Draft opinion Paragraph 3 a (new) Amendment 45 #
Draft opinion Paragraph 4 4. Calls on the Commission to promote joint researches and partnership programmes between the cultural and creative industries and the education and training sector,
Amendment 46 #
Draft opinion Paragraph 4 4. Calls on the Commission to promote joint research between the cultural and creative industries and the education and training sector, so as to facilitate the use of creative techniques and tools in the educational sector and conversely, by means of research and education, to renew the cultural and creative industries;
Amendment 47 #
Draft opinion Paragraph 4 4. Calls on the Commission to promote joint research between the cultural and creative industries and the education and training sector, so as to develop new learning concepts and facilitate the use of
Amendment 48 #
Draft opinion Paragraph 4 4. Calls on the Commission to promote joint research and partnerships between the cultural and creative industries and the education and training sector, so as to facilitate the use of creative techniques and tools in the educational sector;
Amendment 49 #
Draft opinion Paragraph 4 Amendment 5 #
Draft opinion Paragraph 1 1. Emphasises the need to reduce the inequalities faced by practitioners in the cultural and creative sector and to fight discrimination in these sectors, especially as regards pay, jobs that match the level of qualifications, and social security; calls on the
Amendment 50 #
Draft opinion Paragraph 4 a (new) 4a. Stresses the need to exchange information and good practice, to step up education and training provision, especially in the fields of computer studies and business management, to foster new skills and to promote lifelong learning, for example by facilitating access to the existing European programmes and funds, thereby making decent jobs more accessible and enhancing and acknowledging the skills of creators and workers in the cultural and creative sector, who feel the impact of economic and technological change particularly strongly;
Amendment 51 #
Draft opinion Paragraph 4 b (new) 4b. Points out that artistic trades constitute one of the pillars on which our cultural heritage and our economy rest, and that their continuity must therefore be safeguarded by means of appropriate mechanisms for passing on knowledge and skills, as emphasised in Parliament’s resolution of 10 April 2008 on cultural industries in Europe;
Amendment 52 #
Draft opinion Paragraph 4 c (new) 4c. Calls on the Commission to promote the use, dissemination and development of open source software and open standards, which represent potential for innovation, creativity, knowledge dissemination and job creation;
Amendment 53 #
Draft opinion Paragraph 4 a (new) Amendment 54 #
Draft opinion Paragraph 4 a (new) 4a. Requests that the Commission call on Member States to expand the framework for recognition of professional qualifications and training courses, not least with a view to including the new skills required in the CCI sector;
Amendment 55 #
Draft opinion Paragraph 4 a (new) 4a. Calls for greater mobility support to be provided for artists and cultural workers, as this can help to offer new occupational outlets and opportunities;
Amendment 56 #
Draft opinion Paragraph 5 5.
Amendment 57 #
Draft opinion Paragraph 5 5. Advocates the mobilisation of EU funds and programmes
Amendment 58 #
Draft opinion Paragraph 5 5. Advocates the mobilisation of, and simplified application for, EU funds and programmes for the development of the cultural and creative sector;
Amendment 59 #
Draft opinion Paragraph 5 5.
Amendment 6 #
Draft opinion Paragraph 1 1. Emphasises the need to reduce the inequalities faced by practitioners in the cultural and creative sector and to fight discrimination in these sectors, especially as regards pay, jobs that match the level of qualifications, and social security; calls on
Amendment 60 #
Draft opinion Paragraph 5 5. Advocates the responsible mobilisation of EU funds and programmes for the development of the cultural and creative sector;
Amendment 61 #
Draft opinion Paragraph 5 5. Advocates the mobilisation of existing EU funds and programmes for the development of the cultural and creative sector;
Amendment 62 #
Draft opinion Paragraph 5 a (new) 5a. Requests that the Commission call on Member States to support art education and creativity; calls on the Commission, in particular, to include in existing programmes, especially Erasmus, Comenius and MEDIA, specific measures for artists, art school students and teachers and young creative worker, providing for various forms of exchanges, tutoring, mobility and residencies;
Amendment 63 #
Draft opinion Paragraph 5 – point 1 (new) (1) Calls on Member States to promote the availability of managerial, business and entrepreneurial trainings specifically tailored for professionals in the cultural and creative industries, thus equipping them with communication and entrepreneurial skills required in an ever evolving socio-economic environment;
Amendment 64 #
Draft opinion Paragraph 5 a (new) 5a. Calls for Member States to provide appropriate support for small and medium-sized enterprises working in the cultural and creative sector in Europe;
Amendment 65 #
Draft opinion Paragraph 5 b (new) 5b. Calls on the Commission to support investment in EU programmes for CCIs, including non-profit organisations, both by providing budgetary resources and by establishing specific programmes, along similar lines to the MEDIA programme; calls for consideration to be given to specific procedures for access to existing resources, in particular the European Social Fund;
Amendment 66 #
Draft opinion Paragraph 6 6. Stresses that a high level of social protection, and in particular unemployment insurance, is necessary to provide a guaranteed income for those periods without employment natural to the cultural and creative sector
Amendment 67 #
Draft opinion Paragraph 6 6. Stresses that a
Amendment 68 #
Draft opinion Paragraph 6 6. Stresses that a high level of social protection, and in particular unemployment insurance, is necessary to provide a guaranteed income for those periods without employment natural to the cultural and creative sector, and enable personal and collective emancipation; considers also that a minimum income can be an appropriate means of guaranteeing such a level of social protection and that this can also be usefully combined with training courses.
Amendment 69 #
Draft opinion Paragraph 6 6. Stresses that
Amendment 7 #
Draft opinion Paragraph 1 1. Emphasises the need to reduce the inequalities faced by practitioners in the cultural and creative sector
Amendment 70 #
Draft opinion Paragraph 6 6. Stresses that a high level of social protection
Amendment 71 #
Draft opinion Paragraph 6 6. Stresses that a high level of social protection, and in particular of unemployment
Amendment 72 #
Draft opinion Paragraph 6 6.
Amendment 73 #
Draft opinion Paragraph 6 6. Stresses that a
Amendment 74 #
Draft opinion Paragraph 6 – subparagraph 1 (new) Calls on the Commission to increase support for small and micro-sized enterprises and to facilitate start-ups, since most enterprises in the cultural and creative industries are of this type, and to ease access to microcredits by these enterprises;
Amendment 75 #
Draft opinion Paragraph 6 a (new) 6a. Calls on the Commission to promote the ILO’s Decent Work Agenda and to ensure decent working conditions, with a view to reducing social inequalities, combating discrimination and improving health and safety at work in the cultural and creative industries;
Amendment 76 #
Draft opinion Paragraph 6 b (new) 6b. Emphasises that the cultural and creative industries contribute, in many cases, to the transformation of declining local economies by encouraging the emergence of new types of economic activity, creating new and sustainable jobs and making European regions and cities more attractive, thus serving the interests of social and territorial cohesion.
Amendment 77 #
Draft opinion Paragraph 6 a (new) 6a. Calls on the Commission to urge Member States to introduce support measures, such as guarantee funds and tax incentives, for the benefit of cultural and creative businesses, with special reference to the production, distribution and performance of European co- productions.
Amendment 78 #
Draft opinion Paragraph 6 a (new) 6a. Calls on the Commission, in order to preserve jobs in the creative sector, to ensure that works are adequately protected against piracy; in view of the jobs already lost in the sector and the threats for the future, considers that adequate protection of non-material rights should be provided for workers, to preserve jobs in the sector in Europe;
Amendment 79 #
Draft opinion Paragraph 6 a (new) 6a. Notes that the cultural and creative industry is an economic sector as valid as any other, which is not – or not to any significant degree – subject to relocation, and where, therefore, many jobs can be created in the European Union;
Amendment 8 #
Draft opinion Paragraph 1 1. Emphasises the need to reduce the inequalities faced by practitioners in the cultural and creative sector and to fight discrimination in these sectors, especially as regards pay, access to the labour market, jobs that match the level of
Amendment 80 #
Draft opinion Paragraph 6 b (new) 6b. Recognises the importance of education for the purpose of learning entrepreneurial skills for this sector;
Amendment 81 #
Draft opinion Paragraph 6 c (new) 6c. Recognises the importance of protecting intellectual property rights and an efficient approach to tackling infringements of them; considers that these infringements are a threat to the viability of the sector, although intellectual property rights are precisely a guarantee of income and employment in the creative and cultural sector;
Amendment 82 #
Draft opinion Paragraph 6 d (new) 6d. Calls on the Commission to investigate the scope for best practices such as the tax shelter scheme which exists in Belgium, a tax exemption scheme which encourages the production of audiovisual works and stimulates the climate for investment in the Belgian audiovisual industry, and calls on the Commission to encourage their adoption; notes that under this scheme investors enjoy a 150% tax exemption on the amount which they spend on Belgian audiovisual works;
Amendment 9 #
Draft opinion Paragraph 1 1. Emphasises the need to reduce the inequalities faced by practitioners in the cultural and creative sector and to fight discrimination in these sectors, especially as regards pay, jobs that match the level of qualifications, and social security; calls on the Member States to
source: PE-452.703
2010/12/10
INTA
32 amendments...
Amendment 1 #
Draft opinion Paragraph 1 1. Underlines that, with a decline in the EU's competitiveness in traditional industries, the development of trade in cultural and creative-industry (CCI) goods and services will constitute
Amendment 10 #
Draft opinion Paragraph 3 3. Strongly believes that greater trade openness in the CCI sector
Amendment 11 #
Draft opinion Paragraph 3 3. Strongly believes that greater trade openness in the CCI sector would greatly benefit
Amendment 12 #
Draft opinion Paragraph 3 3. Strongly believes that greater trade openness in the CCI sector would greatly benefit the global economy; notes that while world trade in CCI goods and services remains dominated by developed countries, the market share of developing countries has been constantly increasing in the past ten years, particularly reflecting
Amendment 13 #
Draft opinion Paragraph 3 3. Strongly believes that greater trade openness in the CCI sector would greatly benefit the global economy; notes that while world trade in CCI goods and services remains dominated by developed countries, the market share of developing countries has been constantly increasing in the past ten years, particularly reflecting the rise of
Amendment 14 #
Draft opinion Paragraph 4 4. Recalls that
Amendment 15 #
Draft opinion Paragraph 4 4. Recalls that the protection and enforcement of intellectual property rights
Amendment 16 #
Draft opinion Paragraph 4 4. Recalls that the protection of intellectual property rights in international trade agreements is an issue central to securing the European cultural and creative industries and maintain incentives for companies, artists and creators to innovate;
Amendment 17 #
Draft opinion Paragraph 4 4. Recalls that the protection of intellectual property rights is an issue central to securing the European cultural and creative industries and maintain incentives for companies, artists and creators to innovate; for this reason, the EU must rise to the challenge of establishing a copyright legislation for the new technology age, which is compatible with the requirements of individual liberties;
Amendment 18 #
Draft opinion Paragraph 4 4. Recalls that the protection of intellectual property rights is an issue central to securing the European cultural and creative industries and maintain incentives for companies, artists and creators to innovate; maintains that international cooperation is the only way to combat piracy, counterfeiting and the violation of intellectual property rights;
Amendment 19 #
Draft opinion Paragraph 4 4. Recalls that the protection of intellectual property rights is an issue central to securing the European cultural and creative industries and maintain incentives for
Amendment 2 #
Draft opinion Paragraph 1 1. Underlines that the development of trade in cultural and creative-industry (CCI) goods and services constitutes an important pillar for culture, development and democracy, and, at the same time, a driver of economic growth and job creation in Europe and the world; observes that, according to estimates, world trade in CCI goods and services has nearly doubled in the past ten years;
Amendment 20 #
Draft opinion Paragraph 4 a (new) 4a. Notes that the TRIPS Agreement should be extended to cover other areas of the CCI sector;
Amendment 21 #
Draft opinion Paragraph 4 b (new) 4b. Points out that copyright is intended principally to protect actual authors and originators, and that the protection of copyright should not undermine civil rights;
Amendment 22 #
Draft opinion Paragraph 5 Amendment 23 #
Draft opinion Paragraph 5 5.
Amendment 24 #
Draft opinion Paragraph 5 5. Supports the development of mutually beneficial and voluntary cooperation between EU Member States in the field of CCI, not
Amendment 25 #
Draft opinion Paragraph 5 a (new) 5a. Considers that ACTA is a means of enhancing the effectiveness of existing standards for the benefit of EU exports and the protection of copyright holders, who are confronted on the world market with widespread infringements of their intellectual property rights, trademarks, patents, designs and geographical indications;
Amendment 26 #
Draft opinion Paragraph 6 Amendment 27 #
Draft opinion Paragraph 6 6. Notes that e-commerce
Amendment 28 #
Draft opinion Paragraph 6 6. Notes that e-commerce and the internet are developing at such a pace, with ‘generations’ of technology growing shorter geometrically, and therefore believes that attempts
Amendment 29 #
Draft opinion Paragraph 6 6. Notes that e-commerce and the internet are developing at such a pace, with ‘generations’ of technology growing shorter geometrically, and therefore believes that
Amendment 3 #
Draft opinion Paragraph 2 2. Stresses that
Amendment 30 #
Draft opinion Paragraph 6 6. Notes that e-commerce and the internet are developing at such a pace, with ‘generations’ of technology growing shorter geometrically, and therefore believes that
Amendment 31 #
Draft opinion Paragraph 6 a (new) 6a. Notes that the internet is developing organically with ever decreasing technology life cycles, and therefore believes that any initiative aimed at controlling infrastructure development without producing alternative business models will always be at least a generation behind and is likely to inhibit growth to the cultural and creative industries of the EU Member States,
Amendment 32 #
Draft opinion Paragraph 6 a (new) 6a. Highlights the importance of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions as an essential instrument to guarantee that the 'cultural exception' in international trade in goods and services of a cultural and creative nature is maintained within the international framework of the WTO;
Amendment 4 #
Draft opinion Paragraph 2 2. Stresses that legislation cannot force creativity and innovation, which are
Amendment 5 #
Draft opinion Paragraph 2 2. Stresses that legislation
Amendment 6 #
Draft opinion Paragraph 2 2. Stresses that legislation cannot force creativity and innovation, which are best encouraged by
Amendment 7 #
Draft opinion Paragraph 2 2. Stresses that legislation cannot force creativity and innovation, which are best encouraged by giving maximum freedom for entrepreneurs and creators to pursue their business and exert their talent; however legislation can provide protection against abuse of intellectual property rights.
Amendment 8 #
Draft opinion Paragraph 2 a (new) 2a. Stresses the great potential of CCI in international trade and assumes that its significance is being underestimated owing to the difficulty of gathering data;
Amendment 9 #
Draft opinion Paragraph 3 3. Strongly believes that
source: PE-454.540
2011/01/20
ITRE
49 amendments...
Amendment 1 #
Draft opinion Paragraph 1 1. Recognises the creative and cultural industries (CCIs), which account for 5 million jobs and 2.6% of EU GDP, as one of the main drivers for growth in the EU; therefore calls on the Commission to support CCI's competitive and economic models, in order to maximise the job potential in the European Union;
Amendment 10 #
Draft opinion Paragraph 1 b (new) 1b. Recognises that the CCIs have great synergising power and are major drivers of economic and social innovation in many other sectors, contributing simultaneously to the promotion of low carbon emission economic environments;
Amendment 11 #
Draft opinion Paragraph 2 2. Emphasises the importance of the swift implementation and success of the Digital Agenda initiative in order to enable CCIs to
Amendment 12 #
Draft opinion Paragraph 2 a (new) 2a. Notes that according to a recent study by the European Policy Centre the incremental value of a Digital Single Market in the European Union has been assessed to exceed 4% of GDP and 500 billion EUR between 2010 and 2020; Stresses therefore that it is indispensable for the EU to establish a true single market for online content and services, with high level of trust and confidence;
Amendment 13 #
Draft opinion Paragraph 2 a (new) 2a. Stresses the importance of more and better investment in the area of Radio Frequency Identification (RFID) and other Internet of Things (IoT) related technologies, which represent a great potential for developments in logistics, healthcare, transport, energy efficiency, environment, manufacturing, retail and fight against counterfeiting;
Amendment 14 #
Draft opinion Paragraph 2 a (new) 2a. Emphasises the importance, for the creation of conditions of equal access to new platforms and equipment, of interoperability and standards, and calls on the Commission to promote interoperability between platforms, to develop standards which help create a marketplace propitious to innovation and to avoid systems that might limit access to diversified content; Which Or. ro
Amendment 15 #
Draft opinion Paragraph 2 a (new) 2a. Calls on the Commission and Members States to provide greater opportunities for CCI's to exploit online markets and to enable artists to take advantage of the digital environment;
Amendment 16 #
Draft opinion Paragraph 3 3. Calls on the Commission, in the context of the Digital Agenda, to assist
Amendment 17 #
Draft opinion Paragraph 3 a (new) 3a. Stresses that EU Innovation policy has a role to play in embracing the innovation potential of creative SMEs and needs to take into account the important role of creative industries in realising a creative and innovation-friendly society, therefore calls to avoid unnecessary cost and red tape for SMEs in public procurement;
Amendment 18 #
Draft opinion Paragraph 3 a (new) 3a. Stresses the importance of expanding the Europeana digital library and developing it as a focal point for projecting Europe's cultural heritage and creativity and as a starting place for educational, cultural, innovative and entrepreneurial activities;
Amendment 19 #
Draft opinion Paragraph 3 a (new) 3a. Calls on the Commission and on Member States to provide incentives for public and private CCI investments geared to designing and developing easily replicable technologies to improve the quality of energy saving and efficiency;
Amendment 2 #
Draft opinion Paragraph 1 1. Recognises the creative and cultural industries (CCIs), which account for 5 million jobs and 2.6% of EU GDP, as one of the main drivers for growth in the EU and highlights the continuing role of European culture and cultural creativity in forging a common European identity;
Amendment 20 #
Draft opinion Paragraph 3 a (new) 3a. Stresses the importance of interoperability for producers and users as well;
Amendment 21 #
Draft opinion Paragraph 3 b (new) 3b. Calls on the Commission to provide incentives for the development of e-skills in order to enable the SME community to access CCIs and to ensure their maximum participation in the internal market;
Amendment 22 #
Draft opinion Paragraph 4 4. Emphasises that
Amendment 23 #
Draft opinion Paragraph 4 4. Emphasises that intellectual property rights are a fundamental asset for creative companies, an incentive for individual creativity and investment in creation; calls, therefore, for schemes to help CCIs adapt to the digital shift via new online services based on new forms of rights management promoting authors‘ rights; and for a balanced regulatory framework governing the protection and enforcement of intellectual property rights;
Amendment 24 #
Draft opinion Paragraph 4 4. Emphasises that intellectual property rights are a fundamental asset for creative companies, an incentive for individual creativity and investment in creation; calls, therefore, for schemes to help CCIs adapt to the digital shift via new online services based on new forms of rights management promoting authors‘ rights, such as extended collective licensing systems and easy, one-stop-shop systems for the clearance of rights;
Amendment 25 #
Draft opinion Paragraph 4 a (new) 4a. Emphasises the need for regulations to supplement the market-driven approach to the creative industries, including extension to the term of protection of copyright, improvement in public performance royalties, and support for the development of enhanced rights' databases;
Amendment 26 #
Draft opinion Paragraph 4 a (new) 4a. Calls on the Commission to review Directive 2001/29/EC in order to achieve greater precision with a view to ensuring the harmonisation at Community level of the legal framework for copyright protection in the information society;
Amendment 27 #
Draft opinion Paragraph 4 a (new) 4a. Calls for a higher investment in research and skills in general and for the creative industries in particular as a prospectus investment in the future;
Amendment 28 #
Draft opinion Paragraph 5 5. Stresses the urgent need for funding initiatives for creative businesses, points out that, given the nature of CCIs, venture capital/private equity/business angel/mezzanine-type investments are the most relevant forms of financing, and suggests using the framework of the ECIA (European Creative Industries Alliance) to provide a platform for access to information and advice on investment readiness and long-term business strategies, access to loans, guarantee funds and cross-border private investment, and to explore the possibility of establishing a Creative Industries Bank;
Amendment 29 #
Draft opinion Paragraph 5 5. Recognises that lack of access to finance is a core barrier to growth for many businesses in creative industries; Stresses the urgent need for funding initiatives for creative businesses, points out that, given the nature of CCIs, venture capital/private equity/business angel/mezzanine-type investments are the most relevant forms of financing, and
Amendment 3 #
Draft opinion Paragraph 1 1. Recognises the creative and cultural industries (CCIs), which account for 5 million jobs and 2.6% of EU GDP, as one of the main drivers for growth in the EU creating new jobs, playing key roles in global value chains, and spurring innovation;
Amendment 30 #
Draft opinion Paragraph 5 5. Stresses the urgent need for funding initiatives for creative businesses in order to enhance the furtherance of these industries, points out that, given the nature of CCIs, venture capital/private equity/business angel/mezzanine-type investments are the most relevant forms of financing, and suggests using the framework of the ECIA (European Creative Industries Alliance) to provide a platform for access to information and advice on investment readiness and long- term business strategies;
Amendment 31 #
Draft opinion Paragraph 5 a (new) 5a. Emphasises the potential of the EIB (European Investment Bank) and the EIF (European Investment Fund) to support the creative sector, mainly through SME support, which still remains to be unlocked; Stresses furthermore that creative industries must be brought into the scope of SME policies;
Amendment 32 #
Draft opinion Paragraph 5 a (new) 5a. Encourages the fact that the European Commission in the EU 2020 flagship initiative Innovation Union, has committed itself to setting up a European Design Leadership Board which will be invited to make proposals within a year to enhance the role of design in innovation policy;
Amendment 33 #
Draft opinion Paragraph 5 a (new) 5a. Recognises also that there is a risk of failing to harness the potential of CCIs if the requisite steps are not taken to ensure better matching of worker skills supply and labour market demand, which would enhance the competitive potential of the sector,
Amendment 34 #
Draft opinion Paragraph 5 a (new) 5a. Emphasises the role that CCIs can play in regional and local development and calls on the Commission and Member States to devise policies and flanking instruments at every level based on a strategic approach that combines infrastructure investment with investment in human capital;
Amendment 35 #
Draft opinion Paragraph 5 b (new) 5b. Reminds that the Cohesion Policy and Structural Funds offer major funding opportunities for culture, creativity and innovation across the EU; Regrets however that cultural and creative businesses only seem to have benefited from those funds to a limited extent so far; Calls therefore on the Member States and the Commission to facilitate more access to finance via those instruments as well as to raise awareness and information on what is available;
Amendment 36 #
Draft opinion Paragraph 6 6. Stresses the need for a more advantageous fiscal and investment climate, which would involve
Amendment 37 #
Draft opinion Paragraph 6 6. Stresses the need for a more advantageous fiscal and investment climate, which would involve reconsidering current VAT rules (including the
Amendment 38 #
Draft opinion Paragraph 6 a (new) 6a. Highlights the importance of fostering greater knowledge of the creative industries in educational programmes and vocational training, enhancing students' computing and technological skills and launching initiatives to promote creative entrepreneurship; Emphasises the need to enhance the dialogue between university- level institutions and SMEs;
Amendment 39 #
Draft opinion Paragraph 6 a (new) 6a. Calls for the creation of a true European Creative Single Market enabling CCIs to expand and reach out to a larger potential customer base, helping them to develop new long term strategies for creation, distribution and exploitation, and fostering mobility, exchange and cooperation between persons active in the cultural and creative industries;
Amendment 4 #
Draft opinion Paragraph 1 1.
Amendment 40 #
Draft opinion Paragraph 6 a (new) 6a. Emphasises the need to strengthen the sector’s marketing facet (distribution and sales) in order to harness its potential to the full at local, national and international level. Will to that end promote the running of workshops on the use of social networks and other available internet tools that can generate business;
Amendment 41 #
Draft opinion Paragraph 6 a (new) 6a. Calls upon the Member States and the Commission to take actions to raise awareness of investors about the economic value and the high potential of creative industries for the competitiveness of the European economy;
Amendment 42 #
Draft opinion Paragraph 6 a (new) 6a. Suggests that an action programme devoted to cross-border cultural promotion and cooperation be established as part of the European Year of Volunteering.
Amendment 43 #
Draft opinion Paragraph 6 b (new) 6b. Highlights the potential of creative clusters between research centres and artistic schools where creative businesses may link with art establishments to provide joint training programmes and life-long learning opportunities, particularly for entrepreneurial training; therefore encourages Member States and regions to create opportunities for such cooperation and to explore innovation vouchers schemes to help cultural and creative SMEs and individuals in acquiring professional skills;
Amendment 44 #
Draft opinion Paragraph 6 b (new) 6b. Recognises the effectiveness of EU programmes such as the Programme for Innovation and Competitiveness in enabling SMEs to access financing, and suggests that the Commission assess the possibility of devising similar specific programmes for CCIs, in view of how important this type of company is to recovering from the current recession;
Amendment 45 #
Draft opinion Paragraph 6 b (new) 6b. Calls on the Commission to draw up Europe-wide business plan guidelines for creative and cultural projects/services/works, as well as specific performance indicators that can facilitate the technical and economic assessment of investment in the sector, avoiding unnecessary costs and red tape for SMEs;
Amendment 46 #
Draft opinion Paragraph 6 c (new) 4c. Recognises that the main issue confronting CCIs is that of managing intangibles, despite the fact that they can subsequently be of high and very long-term value compared with other, much more short-term, industries. In the same vein, CCIs also foster values and inform, and have a sustained impact over time, eventually forming part of the collective memory;
Amendment 47 #
Draft opinion Paragraph 6 d (new) 6d. Recognises the need to promote innovation in the field of technology, but also in the field of production processes and when developing projects themselves;
Amendment 48 #
Draft opinion Paragraph 6 e (new) 6e. Recognises that the development of intangibles (such as ideas and storytelling) must include the concept of innovation in terms of (i) the narrative itself and (ii) the tools used in that narration (cross-media and multiplatform products);
Amendment 49 #
Draft opinion Paragraph 6 f (new) 6f. Advocates the setting-up of exchange programmes intended to promote the creation of CCI platforms.
Amendment 5 #
Draft opinion Paragraph 1 1. Recognises the creative and cultural industries (CCIs), which account for 5 million jobs and 2.6% of EU GDP, as one of the main drivers for growth, industry and job creation in the EU;
Amendment 6 #
Draft opinion Paragraph 1 a (new) 1a. Emphasises the need for a strategic approach under which cultural resources become the basis of a creative economy and a cohesive society, and which consolidates the link between education, vocational training and CCIs, and maximises the potential of SMEs in the cultural and creative sector;
Amendment 7 #
Draft opinion Paragraph 1 a (new) 1a. Calls on the Commission to pursue its efforts for a better definition of the CCIs in order to analyse in depth their impact on long-term growth and international competitiveness and to better foster recognition of the specific features of the sector;
Amendment 8 #
Draft opinion Paragraph 1 a (new) 1a. Points out that artistic trades constitute one of the pillars on which our cultural heritage and our economy rest, and that their continuity must therefore be safeguarded by means of appropriate mechanisms for passing on knowledge and skills;
Amendment 9 #
Draft opinion Paragraph 1 a (new) 1a. Stresses that, as well as contributing directly to GDP, culture provides added value as a factor for social cohesion;
source: PE-456.786
2011/02/07
REGI
79 amendments...
Amendment 1 #
Draft opinion Paragraph 1 1. Welcomes the fact that culture and creative industries (CCIs), that constitute a major part of local and regional attractiveness and vision for their economic, social and territorial development, are recognised throughout the Green Paper as a tool for local and regional development, and points out that local and regional authorities in most Member States are responsible for sectors mentioned in the context of CCIs, especially culture, research, education, tourism and employment;
Amendment 1 #
Draft opinion Recital -A (new) -A. whereas the cultural and creative industries in Europe play an essential role in promoting cultural diversity and pluralism, but also significantly contribute to the economical recovery, to the creation of new jobs and to the sustainable development as well as to the competitiveness of the European economy; whereas small and medium sized companies are key players in the sectors;
Amendment 10 #
Draft opinion Paragraph 2 2. Points out that cultural and creative infrastructures and facilities play an important role in the development of the physical environment of towns and cities, in creating an attractive environment for investment, and, in particular, the rehabilitation of old industrial districts, and that cultural heritage is at the same time considered significant in the development of rural areas, especially through its contribution to rural tourism; notes that infrastructure such as fast broadband connections are of particular importance to the development of CCI, especially in rural areas, by diminishing locational handicaps, and that the Structural Funds can play a central role in facilitating broadband accessibility; believes therefore that cultural and creative strategies should be included in regional and local development strategies, in a partnership between public authorities representing different policy areas and relevant civil society representatives;
Amendment 10 #
Draft opinion Paragraph 2 a (new) 2 a. Notes that market fragmentation in the cultural and creative sectors is also due to cultural diversity and language preferences for consumers.
Amendment 11 #
Draft opinion Paragraph 2 2. Points out that cultural and creative infrastructures and facilities play an important role in the development of the physical environment of towns and cities and, in particular, the rehabilitation of old industrial districts, and that cultural heritage is at the same time considered significant in the development of rural areas, especially through its contribution to rural tourism; believes therefore that cultural and creative strategies should be included in regional and local development strategies, in a partnership between public authorities representing different policy areas and relevant civil society representatives; and that territorial cooperation should be reinforced;
Amendment 11 #
Draft opinion Paragraph 2 a (new) 2 a. Stresses that the scale of unauthorised use of copyright protected material reported by the content industry strongly suggests that the current legal framework suffers from problems of legitimacy in the eyes of the consumer. It is therefore crucial that the roots of this problem be identified and eliminated, rather than exacerbated through repressive measures.
Amendment 12 #
Draft opinion Paragraph 2 2. Points out that cultural and creative infrastructures and facilities play an important role in the development of the physical environment of towns and cities and, in particular, the rehabilitation of old industrial districts, and that cultural heritage is at the same time considered significant in the development of rural areas, especially through its contribution to rural tourism; believes therefore that
Amendment 12 #
Draft opinion Paragraph 3 3. Emphasises that the
Amendment 13 #
Draft opinion Paragraph 2 2. Points out that cultural and creative infrastructures and facilities play an important role in the development of the physical environment of towns and cities and, in particular, the rehabilitation and revitalisation of old industrial districts, and that cultural heritage is at the same time considered significant in the development and renewal of rural areas, especially through its contribution to rural tourism and towards preventing the depopulation of these areas; believes therefore that cultural and creative strategies should be included in regional and local development strategies, in a partnership between public authorities representing different policy areas and relevant civil society representatives;
Amendment 13 #
Draft opinion Paragraph 3 3. Emphasises that the issue of the fragmented nature of European copyright law has been well known for years and, in that connection, calls on the Commission to present, as soon as possible, concrete legislative proposals on how to tackle the issue of territoriality in order to dismantle existing obstacles to the development of the internal market, in particular in the online environment, while respecting consumers demand and cultural diversity;
Amendment 14 #
Draft opinion Paragraph 2 2. Points out that cultural and creative infrastructures and facilities play an important role in the development of the physical environment of towns and cities and, in particular, the rehabilitation of old industrial districts, and that cultural heritage is at the same time considered significant in the development of rural areas, especially through its contribution to rural tourism; believes therefore that cultural and creative strategies should be included in national, regional and local development strategies, in a partnership between public authorities representing different policy areas, SMEs and relevant civil society representatives;
Amendment 14 #
Draft opinion Paragraph 3 a (new) 3 a. Welcomes the commitment by the Commission to present legislative proposals regarding orphan works and collective rights management in the beginning of 2011;
Amendment 15 #
Draft opinion Paragraph 2 a (new) 2a. Recalls that the cultural diversity of Europe, and particularly its rich heritage of regional languages and cultures, constitutes an irreplaceable raw material for CCIs; calls on the Commission therefore to include promoting cultural diversity in regional development strategies;
Amendment 15 #
Draft opinion Paragraph 4 4.
Amendment 16 #
Draft opinion Paragraph 3 3. Considers culture and creative-based projects capable not only of improving the structural conditions of l
Amendment 16 #
Draft opinion Paragraph 4 4. Recalls that
Amendment 17 #
Draft opinion Paragraph 3 3. Considers culture and creative-based projects capable not only of improving the structural conditions
Amendment 17 #
Draft opinion Paragraph 4 a (new) 4 a. Notes that if widespread use of multi- territory and multi-repertoire licenses cannot be achieved, a comprehensive assessment of all potential obstacles to the creation of an effective EU internal market should be undertaken;
Amendment 18 #
Draft opinion Paragraph 3 3. Considers culture and creative-based projects capable not only of improving the structural conditions of lagging regions, but also of contributing directly to competitiveness and employment creation in all regions; hence calls on the Commission, Member States, regions and local authorities to use, and make the most of, existing EU support programmes such as the Cohesion and Structural Policy, rural development within the Common Agricultural Policy, the Research Framework Programme, CIP, etc. to
Amendment 18 #
Draft opinion Paragraph 4 a (new) 4a. Welcomes the Commission’s idea to guarantee copyright holders remuneration and appropriate protection for works containing creative content in the online market;
Amendment 19 #
Draft opinion Paragraph 3 3. Considers culture and creative-based
Amendment 19 #
Draft opinion Paragraph 5 Amendment 2 #
Draft opinion Paragraph 1 1. Welcomes the fact that culture and creative industries (CCIs) are recognised throughout the Green Paper as a tool for local and regional development, and points out that local and regional authorities in most Member States are responsible for sectors mentioned in the context of CCIs, especially culture, research, education, tourism and employment
Amendment 2 #
Draft opinion Recital B B. whereas the technological advances in information and communication technology in no way alter the fundamental need to protect intellectual property rights, but do call for
Amendment 20 #
Draft opinion Paragraph 3 3. Considers culture and creative-based projects capable not only of improving the structural conditions of lagging regions, but also of contributing directly to competitiveness and employment creation in all regions; hence calls on the Commission, Member States, regions and local authorities to use, and make the most of, existing EU support programmes such as the Cohesion and Structural Policy, rural development within the Common Agricultural Policy, the Research Framework Programme, CIP, etc. to foster cultur
Amendment 20 #
Draft opinion Paragraph 5 5. Emphasises that a short-term measure to deal with certain obstacles created by territoriality should include a reassessment of the optional nature of the exceptions and limitations introduced by Directive 2001/29/EC and that a review of that directive, as required by its provisions, is now long overdue, particularly in order to ensure that innovative European companies are not disadvantaged compared counterparts in other jurisdictions, such as in the United States where companies that can benefit from a harmonized and system of “fair use” copyright exceptions which do not interfere with the normal exploitation of the work or other subject matter by the rightholder;
Amendment 21 #
Draft opinion Paragraph 3 3. Considers culture and creative-based projects capable not only of improving the structural conditions of lagging regions, but also of contributing directly to competitiveness and employment creation in all regions; stresses that the creative industry displays far higher growth rates than other sectors; observes that as long ago as 2007 no other sector of the economy was displaying greater growth in Europe, in Germany and in the cities than the creative industry; considers, furthermore, that cultural and creative projects can play an enormous role as a factor creating ties between young people and their regions, the importance of which is not to be underestimated in view of demographic trends in many regions; hence calls on the Commission, Member States, regions and local authorities to use, and make the most of, existing EU support programmes such as the Cohesion and Structural Policy, rural development within the Common Agricultural Policy, the Research Framework Programme, CIP, etc. to foster culture and creativity;
Amendment 21 #
Draft opinion Paragraph 5 a (new) 5 a. Stresses the need to finally address the "book famine" experienced by visually impaired and print disabled people; reminds the Commission and Member States of their obligations under the UN Convention on the Rights of Persons with Disabilities to take all appropriate measures to ensure that persons with disabilities enjoy access to cultural materials in accessible formats, and to ensure that laws protecting intellectual property rights do not constitute an unreasonable or discriminatory barrier to access by persons with disabilities to cultural materials; calls on the Commission to work actively and positively within the World Intellectual Property Organization WIPO to agree on a binding legal norm, based on the treaty proposal drafted by the World Blind Union and tabled at WIPO in 2009;
Amendment 22 #
Draft opinion Paragraph 3 3. Considers culture and creative-based
Amendment 22 #
Draft opinion Paragraph 5 b (new) 5 b. Stresses the need to solve the issue of orphan works; welcomes the Commission's stated intention to present proposals in this area; notes that the problem of orphan works and the "black hole of the 20th century" is not limited to printed works such as books and magazines, but extends to all kinds of works, including photographs, music, and audiovisual works.
Amendment 23 #
Draft opinion Paragraph 3 3. Considers culture and creative-based projects capable not only of improving the structural conditions of lagging regions, but also of contributing directly to competitiveness and employment creation in all regions; hence calls on the Commission, Member States, regions and local authorities to use, and make the most of, existing EU support programmes such as the Cohesion and Structural Policy, rural development within the Common Agricultural Policy, the Research Framework Programme, CIP, etc. to foster culture and creativity; invites the Commission and Member States to use existing technical assistance mechanisms to promote knowledge at regional and local level on implementation-related problems;
Amendment 23 #
Draft opinion Paragraph 5 c (new) 5 c. Notes that many of the new and exciting developments in the cultural and creative industries are related to user generated content and remixes of previously existing works; notes that these forms of expression are often held back by today's copyright legislation and praxis; calls on the Commission to propose solutions to address this, either through a "fair use" exception on the European level or by other means;
Amendment 24 #
Draft opinion Paragraph 3 3. Considers culture and creative-based projects capable not only of improving the structural conditions of lagging regions, by making good use of their local physical, human and capital resources in order to promote cultural diversification, but also of contributing directly to competitiveness and employment creation in all regions; hence calls on the Commission, Member States, regions and local authorities to use, and make the most of, existing EU support programmes such as the Cohesion and Structural Policy, rural development within the Common Agricultural Policy, the Research Framework Programme, CIP, etc. to foster culture and creativity;
Amendment 24 #
Draft opinion Paragraph 5 a (new) 5 a. Calls on the Commission to encourage financial support for private sector initiatives to create widely accessible rights and repertoire databases on musical, audiovisual and other repertoire. Such databases would increase transparency and streamline procedures for rights clearance;
Amendment 25 #
Draft opinion Paragraph 3 3. Considers culture and creative-based projects capable not only of improving the structural conditions of lagging regions, but also of contributing directly to competitiveness and employment creation in all regions; hence calls on the Commission, Member States, regions and local authorities to use, and make the most of, existing EU support programmes such
Amendment 25 #
Draft opinion Paragraph 5 b (new) 5 b. Calls on the Commission to encourage the setting up of equitable, impartial and effective dispute-settlement mechanisms for all stakeholders;
Amendment 26 #
Draft opinion Paragraph 3 a (new) 3a. Emphasises the importance of "smart specialisation" of regions; in order to fully exploit the possibilities of Europe's creative potential and to boost regional competitiveness, creative companies should create internationally competitive clusters to have better options in bringing ideas to the market, transforming them into user-friendly and appealing product;
Amendment 26 #
Draft opinion Paragraph 6 a (new) Amendment 27 #
Draft opinion Paragraph 3 a (new) 3a. Observes that broadband, a key infrastructure, is of great importance to the creative industry in rural areas as a factor in determining the location of operations, and calls on the Commission to encourage Member States, in accordance with the aims of the Digital Agenda, once comprehensive basic broadband coverage has been attained in Europe, to establish adequate high-speed and very high-speed networks, likewise with comprehensive coverage, particularly in rural areas;
Amendment 28 #
Draft opinion Paragraph 3 a (new) 3a. Points out that mobility is a key factor in developing CCIs and allowing them to expand beyond their local and regional setting to access the broader EU and global marketplace. Notes the importance therefore of EU initiatives such as the Town Twinning Programme, European Capitals of Culture and the Leonardo da Vinci Programme in facilitating such mobility;
Amendment 29 #
Draft opinion Paragraph 3 a (new) 3a. Underlines that culture has an essential role to play in terms of the sustainable development of cross-border territories, believes that stimulating culture and creativity should be an integral part of territorial cooperation and hence calls on the Commission to map available knowledge of the practices, needs and good experiences of cross- border cultural and creative cooperation and to acquire specific expertise on culture, creativity and cross-border territories (particularly in little-explored areas such as the link between culture, creativity and economy);
Amendment 3 #
Draft opinion Paragraph 1 1. Welcomes the fact that culture and creative industries (CCIs) are recognised throughout the Green Paper as a tool for local and regional development, and points out that local and regional authorities in most Member States are responsible for sectors mentioned in the context of CCIs, especially culture, research, education, tourism and employment; calls therefore for support to be provided for the setting- up of regional and local agencies to coordinate the resources of the area and cooperate with the other Member States;
Amendment 3 #
Draft opinion Recital B B. whereas the technological advances in information and communication technology in no way alter the fundamental need to protect intellectual property rights, but do call for
Amendment 30 #
Draft opinion Paragraph 3 b (new) 3b. Welcomes the envisaged actions that are supposed to be undertaken to strengthen the role of CCIs as a catalyst for innovation and structural change under the "Innovation Union" and “Digital Agenda for Europe” flagship initiatives; and emphasises the role of ICTs in CCIs and the “creative nexus” between investment, technology, innovation entrepreneurship and trade, and invites the Commission to promote access to and encourage the use of new ICT technologies in the cultural and creative sector such as the digitalisation and online accessibility of cultural content;
Amendment 31 #
Draft opinion Paragraph 3 c (new) 3c. Emphasises the widespread recognition of the European Capital of Culture initiative as a "laboratory" for urban development through culture and invites the Commission to promote this initiative and ensure the right conditions for the transfer of best practices, cultural cooperation and setting up networks for sharing experience on the opportunities of CCIs in order to make use of the full potential of these sectors;
Amendment 32 #
Draft opinion Paragraph 3 d (new) 3d. Regrets the fact that the Commission does not pay enough attention to twinning arrangements between towns, municipalities and regions, which have for many years provided an excellent forum for cultural and creative cooperation and information exchange; calls on the Commission in cooperation with European associations of local and regional authorities to promote modern, high quality twinning initiatives and exchanges that involve all parts of the society;
Amendment 33 #
Draft opinion Paragraph 4 4. Recommends that the Commission evaluate the relevance of the Structural Funds and existing and future programmes in the field of culture, research, tourism, audiovisual media, youth and education, and of those factors which impede or restrict the take-up of the available appropriations, thus drawing lessons from existing projects and studies in order to design a post-2013 cohesion policy that would
Amendment 34 #
Draft opinion Paragraph 4 4. Recommends that the Commission evaluate the
Amendment 35 #
Draft opinion Paragraph 4 4. Recommends that the Commission evaluate the relevance of the Structural Funds and existing and future programmes in the field of culture, research, tourism, audiovisual media, youth and education, drawing lessons from existing projects and studies in order to design a post-2013 cohesion policy that would help
Amendment 36 #
Draft opinion Paragraph 4 4. Recommends that the Commission evaluate the relevance of the Structural Funds and existing and future programmes in the field of culture, research, tourism, audiovisual media, youth and education, drawing lessons from existing projects and studies in order to design a post-2013 cohesion policy that would help release the
Amendment 37 #
Draft opinion Paragraph 4 4. Recommends that the Commission evaluate the relevance of the Structural Funds and existing and future programmes in the field of culture, research, tourism, audiovisual media, youth and education, drawing lessons from existing projects and studies in order to design a post-2013 cohesion policy that would help release the full potential of the cultural sphere, and particularly that of the creative industries; underlines the need for a simpler architecture for the Funds, as a general principle of the future cohesion policy, in order to avoid discouraging potential partners from taking part in projects;
Amendment 38 #
Draft opinion Paragraph 4 4. Recommends that the Commission evaluate the relevance of the Structural Funds and existing and future programmes in the field of culture, research, tourism, audiovisual media, youth and education, drawing lessons from political experience and from existing projects and studies in order to design a post-2013 cohesion policy that would help release the full potential of the cultural sphere, and particularly that of the creative industries;
Amendment 39 #
Draft opinion Paragraph 4 4. Recommends that the Commission evaluate the relevance of the Structural Funds and existing and future programmes in the field of culture, research and training, tourism, audiovisual media, youth and education, drawing lessons from existing projects and studies in order to design a post-2013 cohesion policy that would help release the full potential of the cultural sphere, and particularly that of the creative industries;
Amendment 4 #
Draft opinion Paragraph 1 1. Welcomes the fact that culture and creative industries (CCIs) are recognised throughout the Green Paper as a tool for local and regional development, and points out that local and regional authorities in most Member States are responsible for sectors mentioned in the context of CCIs, especially culture, research, education,
Amendment 4 #
Draft opinion Recital B B. whereas
Amendment 40 #
Draft opinion Paragraph 4 a (new) 4a. Calls on all the bodies involved at local level to use the territorial cooperation programmes in order to transfer and use best practices for the development of the cultural and creativity sector;
Amendment 41 #
Draft opinion Paragraph 4 a (new) 4 a. Calls on the Commission to establish a programme for the mobility of artists (on Erasmus-type lines) with the aim of fostering dialogue between generations and exchanges of experiences with a view to relaying them to young artists, as well as engaging in intercultural dialogue and enhancing the benefits to be gained from the traditional cultural heritage and its interrelations with new technologies;
Amendment 42 #
Draft opinion Paragraph 5 5.
Amendment 43 #
Draft opinion Paragraph 5 5. Considers it necessary to take ad hoc measures to facilitate access to credit for SMEs, devoting particular attention to the potential of young entrepreneurs in this sector; calls for a more important future role for SMEs and private capital in the implementation of projects and measures in the cultural and creative sector, particularly through PPPs and through maximisation of the use of EIB and EIF financial instruments;
Amendment 44 #
Draft opinion Paragraph 5 5. Calls for a more important future role for SMEs and private capital in the implementation of projects and measures in the cultural and creative sector, particularly
Amendment 45 #
Draft opinion Paragraph 5 5. Calls for a more important future role for SMEs and private capital in the implementation of projects and measures in the cultural and creative sector, particularly through PPPs and through maximisation of the use of EIB and EIF financial instruments; calls on the Commission to simplify the functioning rules of these instruments, whose current complexity limits their use; invites Member States to further exploit them as a means to increase the quality of the projects and the participation of private actors, especially SMEs, in European projects;
Amendment 46 #
Draft opinion Paragraph 5 a (new) 5 a. Recalls the need to consider, in the context of the EU's integrated policies, the situation of regions with specific territorial characteristics, in order to enable these regions, their businesses, workforce and populations to become properly integrated into the EU's internal market so that they can fully enjoy its benefits;
Amendment 47 #
Draft opinion Paragraph 5 a (new) 5a. Recognising the exceptional cross- sectoral nature of CCIs, calls on the Commission in coordination with Eurostat to pursue its efforts for a better definition of the sector and for it to be more accurately reflected in statistics (development of new models and methodology for gathering qualitative and quantitative data, improving their comparability as well as quality of collection processes);
Amendment 48 #
Draft opinion Paragraph 6 6. Calls on the Commission to continue its efforts to support the culture and creativity framework by fostering a more elaborate system of cooperation among Member States and EU institutions, based on
Amendment 49 #
Draft opinion Paragraph 6 6. Calls on the Commission to continue its efforts to support, promote and facilitate the development of the culture and creativity framework by fostering a more elaborate system of cooperation among Member States and EU institutions, based not on a regulatory framework but on the Open Method of Coordination
Amendment 5 #
Draft opinion Paragraph 1 a (new) 1a. notes that CCIs are central to the smart growth pillar of the Europe 2020 Strategy. A synergistic approach involving the leveraging of all available EU financial and regulatory instruments to promote CCIs should be prioritised so that the EU can continue to retain a global comparative advantage in this sector towards 2020 and beyond;
Amendment 5 #
Draft opinion Recital C a (new) C a. whereas territoriality poses more and more impediments to the development of online services as content providers aiming at offering creative works to the entire EU market need to clear rights in each of the 27 Member States,
Amendment 50 #
Draft opinion Paragraph 6 6. Calls on the Commission to continue its efforts to support the culture and creativity framework by fostering a more elaborate system of cooperation among Member States, regions and EU institutions, based not on a regulatory framework but on the Open Method of Coordination for sharing experience, and recommends that the Commission include local and regional authorities in the follow-up process to the Green Paper, in accordance with the principle of subsidiarity.
Amendment 51 #
Draft opinion Paragraph 6 a (new) 6a. Stresses that, although IT-based components do not fall within the core area of the cultural and creative industries, technology is a vital driving force behind these industries; considers, therefore, that the interaction between the two industries should be taken into account in all policy approaches; underlines that the possibility of comprehensive use of high-speed Internet connections is also a binding precondition for the further development of the creative industry;
Amendment 52 #
Draft opinion Paragraph 6 a (new) 6a. Calls on the Commission and Member Sates to work on removing legal and administrative barriers in order to encourage and improve mobility of artists, works, and cultural practitioners, as well as to elaborate cross-border strategies for management of cultural heritage and resources.
Amendment 53 #
Draft opinion Paragraph 6 a (new) 6a. Calls on the Commission and Member States to promote a coherent cultural industry policy which will provide opportunities for and give added value to local initiatives and productions;
Amendment 6 #
Draft opinion Paragraph 1 a (new) 1 a. Encourages Member States and national authorities to support culture and creative industries, as a means of job creation and economic development, and also to support efforts to enhance local identity;
Amendment 6 #
Draft opinion Recital C b (new) C b. whereas territorial obstacles mean that consumers interested in a cross- border access to creative content face considerable obstacles or look for alternative, although not always legitimate, ways of access which is detrimental to the exploitation of creative works and prevents the true development of an internal digital market,
Amendment 7 #
Draft opinion Paragraph 2 2. Points out that cultural and creative infrastructures and facilities play an important role in the development of the physical environment of towns and cities
Amendment 7 #
Draft opinion Paragraph 1 1. Emphasises the need for effective enforcement of intellectual property rights in both the offline and online environments and stresses
Amendment 8 #
Draft opinion Paragraph 2 2. Points out that cultural and creative infrastructures and facilities play an important role in the development of the physical environment of towns and cities and, in particular, the rehabilitation of old industrial districts, and that cultural heritage is at the same time considered significant in the development of rural areas, especially through its contribution to rural tourism; believes therefore that the establishment of cultural and creative
Amendment 8 #
Draft opinion Paragraph 1 1. Emphasises the need for effective enforcement of intellectual property rights in both the offline and online environments and stresses, in that connection, that existing measures, as well as any new measures proposed, should be carefully evaluated in order to
Amendment 9 #
Draft opinion Paragraph 2 2. Points out that cultural and creative infrastructures and facilities play an important role in the development of the physical environment of towns and cities and, in particular, the rehabilitation of old industrial districts, and that cultural heritage
Amendment 9 #
Draft opinion Paragraph 2 2.
source: PE-458.503
2011/02/11
CULT
182 amendments...
Amendment 1 #
Motion for a resolution Citation 2 – having regard to the
Amendment 10 #
Motion for a resolution Recital A A. whereas cultural and creative industries are characterised by a dual
Amendment 100 #
Motion for a resolution Paragraph 7 a (new) 7a. Given the increasing shift of the publishing industry towards digital content production and distribution, calls on the Commission to take initiatives to promote and increase digital literacy and stresses that publishers should be closely involved in initiatives on digital media literacy;
Amendment 101 #
Motion for a resolution Subheading 3 Improving the distribution of works in the digital age within and beyond the European Union’s borders
Amendment 102 #
Motion for a resolution Paragraph 8 8. Underlines that, in order to guarantee better distribution of European works and repertoires, initiatives must be introduced aimed at improving and promoting translation, dubbing, subtitling
Amendment 103 #
Motion for a resolution Paragraph 8 a (new) 8a. Asks the Commission to ensure that actions under the 2014-2020 MEDIA Programme are mostly for the benefit of the whole audiovisual sector, including radio, television and the Internet and assist in the changeover to digital in all the audiovisual sectors;
Amendment 104 #
Motion for a resolution Paragraph 8 a (new) 8a. Underlines that initiatives on digital media literacy should ensure a close involvement of publishers, given the highly valuable experience of the publishing industry as regards media literacy and given the increasing shift of this industry towards digital content production and distribution and calls on the Commission to link its goal of promoting digital literacy to media literacy in order to promote critical appraisal of online content;
Amendment 105 #
Motion for a resolution Paragraph 8 a (new) 8a. Stresses that online use can represent a real opportunity for better diffusion and distribution of European works, particularly audiovisual works, in conditions where legal supply can develop in an environment of healthy competition which effectively tackles the illegal supply of protected works and new ways of remunerating creators can develop which involve them financially in the success of their works;
Amendment 106 #
Motion for a resolution Paragraph 8 b (new) 8b. Notes that as regards promotion of cultural exchange and diversity, access to third-country markets is subject to many tariff and non-tariff barriers which, together with the insecurity of the distribution and exploitation networks, makes it difficult for European culture to have a genuine presence;
Amendment 107 #
Motion for a resolution Paragraph 8 a (new) 8a. Proposes the creation of new pilot projects under the Erasmus and Erasmus for Young Entrepreneurs programmes to allow for greater collaboration between universities and enterprises in the cultural and creative sector;
Amendment 108 #
Motion for a resolution Paragraph 8 b (new) 8a. Reaffirms the aim of preserving the specific nature of some trades and the transfer of know-how, especially in the cultural, creative and crafts sector, and of guaranteeing mechanisms for knowledge transfer; proposes encouraging the establishment at local, regional and territorial level of knowledge transfer workshops, particularly for the traditional creative sector;
Amendment 109 #
Motion for a resolution Paragraph 9 9. Urges the Member States and the Commission to establish technical and financial support mechanisms in cultural and creative industries with the aim of digitising cultural heritage
Amendment 11 #
Motion for a resolution Recital A A. whereas cultural and creative industries are characterised by a dual
Amendment 110 #
Motion for a resolution Paragraph 9 9. Urges the Member States and the Commission to establish a European digital single market, technical and financial support mechanisms in cultural
Amendment 111 #
Motion for a resolution Paragraph 9 9. Urges the Member States and the Commission to establish technical and financial support mechanisms in cultural and creative industries with the aim of digitising cultural heritage and to introduce common European standards and calls on the Commission to consider establishing a specific budget line under the ‘Digital Agenda’ flagship initiative to support the changeover to digital in European cinemas, in order to ensure that all EU citizens have access to content reflecting Europe’s different identities and make the whole of the European film sector more competitive;
Amendment 112 #
Motion for a resolution Paragraph 9 a (new) 9a. Calls on the European Commission to encourage the growth of the cultural and creative industries, especially online, by taking relevant steps to ensure that all stakeholders share the responsibility for equally protecting products and services in the digital environment in order to build greater consumer trust online;
Amendment 113 #
Motion for a resolution Paragraph 9 a (new) 9a. Recommends that the cultural/creative value-chain model should be the determining one in fostering the cultural and creative industries and that, in this context, the link between the cultural and creative act that generates added value and the transmission and exploitation of cultural products be respected;
Amendment 114 #
Motion for a resolution Paragraph 9 a (new) 9a. Calls on the Commission to enable the viability of a pan-European licensing system that builds on the existing multi- territory individual and collective rights licensing models and facilitates the launch of services with wide choice of content, hereby increasing the legal access to online cultural content;
Amendment 115 #
Motion for a resolution Paragraph 9 a (new) 9a. Calls for better respect of the existing legal framework concerning copyright, both to ensure effective enforcement, as well as to secure remuneration for the use of creative and journalistic content;
Amendment 116 #
Motion for a resolution Paragraph 9 a (new) 9a. Calls on the Commission to establish a legal framework to ensure a high level of confidence in the digital space – commercial and non-commercial – so that cultural and creative industries on the one hand and consumers on the other can make full use of digital distribution channels without fear of being deterred by misleading or abusive practices;
Amendment 117 #
Motion for a resolution Paragraph 9 b (new) 9b. Calls on the Commission to ensure the strict implementation of Article 13 of the 2007 Audiovisual Media Services Directive, which provides for the Member States to ensure that on-demand audiovisual media services promote the production of and access to European works and to report to it on the implementation of this provision no later than 2012;
Amendment 118 #
Motion for a resolution Paragraph 9 c (new) 9c. Calls on the Commission, in view of the proliferation of bilateral trade agreements, to submit to Parliament a clear, overall strategy on the cultural cooperation protocols (CCP)annexed to those agreements, with a view to adapting the offer of European cooperation to the needs and specific characteristics of cultural and creative industries in the partner countries, in accordance with the commitments undertaken in the WTO and the spirit and letter of the Unesco Convention on the Protection and Promotion of the Diversity of Cultural Expressions;
Amendment 119 #
Motion for a resolution Paragraph 9 a (new) 9a. Calls on the Commission to consider, with reference to the ‘Digital Agenda’ flagship initiative, the need to support the adjustment of European electronic publishing to the challenges posed by competition, by creating conditions favouring the interoperability of systems, transferability from one device to another and fair competition;
Amendment 12 #
Motion for a resolution Recital A A. whereas cultural and creative industries are characterised by a dual (economic and cultural) nature and their influence on other sectors is essential for the long-term stability and competitiveness of the economy as a whole,
Amendment 120 #
Motion for a resolution Paragraph 9 b (new) 9b. Requests that priority funding be granted under the ENPI RIP 2011-2013 programme to cultural and creative industries, with particular reference to the audiovisual sector and the production and distribution of audiovisual works in the Euro-Mediterranean region;
Amendment 121 #
Motion for a resolution Paragraph 10 10. Calls on the Member States and the Commission to take the necessary steps to establish a European internal market for on-line cultural and creative content and guarantee affordable access to this content to European citizens whilst ensuring that those entitled are protected and properly compensated and that all funding channels for the creative sector are consolidated;
Amendment 122 #
Motion for a resolution Paragraph 10 10. Calls on the Member States and the Commission to take the necessary steps to establish a European internal market for on-line cultural and creative content and guarantee access to this content to European citizens whilst ensuring that those entitled are protected and properly compensated and that all funding channels for the creati
Amendment 123 #
Motion for a resolution Paragraph 10 10. Calls on the Member States and the Commission to take the necessary steps to establish a European internal market for on-line cultural and creative content and guarantee access to this content to European citizens whilst ensuring that those entitled are protected and properly compensated and that all funding channels for the creative sector are consolidated; stresses, in this context, the essential role of collecting societies for the development of European creativity and the digital economy, and calls on the Commission, in the context of the ongoing drafting of a proposal for a directive on collective rights management, to establish an appropriate legal framework for collecting societies and the reaggregation of copyright repertoire;
Amendment 124 #
Motion for a resolution Paragraph 10 10. Calls on the Member States and the Commission to take the necessary steps to establish a European internal market for on-line cultural and creative content and guarantee access to this content to European citizens whilst ensuring that those entitled are protected and properly compensated and that all funding channels for the creative sector are consolidated; calls on the Commission to adapt copyright to the digital era allowing the cultural and creative industries reaping the benefits created by digital technology and media convergence and to consider specific ways of facilitating the use of creative content and archived material;
Amendment 125 #
Motion for a resolution Paragraph 10 a (new) 10a. Points out that the economic model for cultural and creative industries, including in the luxury sector which is representative of it, is based on innovation, constant creativity, consumer confidence and investment in jobs that are often highly skilled and involve unique know-how; calls on the Commission to promote the sustainability of this economic model in its proposals affecting cultural and creative industries by developing a regulatory framework adapted to their specific characteristics, particularly as regards respect for intellectual property rights;
Amendment 126 #
Motion for a resolution Paragraph 10 a (new) 10a. Stresses the need for effective protection of intellectual property rights both online and offline and recalls that Article 118 TFEU authorises the establishment of consolidated EU legislation on copyright;
Amendment 127 #
Motion for a resolution Paragraph 10 a (new) 10a. Calls on the Member States and the Commission to set up the basis for the creation of a European mechanism to guarantee and ensure the protection of intellectual property rights, online and offline, of all actors involved in the cultural and creative industries sectors;
Amendment 128 #
Motion for a resolution Paragraph 10 a (new) 10a. Calls on the Commission to recognise the cultural and creative industries as a productive part of the European economy, notably in terms of their capacity to help make other sectors of the economy more competitive;
Amendment 129 #
Motion for a resolution Paragraph 10 a (new) 10a. Recommends that creative cultural activities in the transition phase between ludic self-expression and gainful employment be identified and afforded specific support tailored to their needs, with a view not merely to their prospects of commercial success but also to the concept of creating a generally sound basis for such creative cultural activities; points out that the potential of the cultural and creative industries will be realised only if the European Union centres its efforts around the social significance of the non-material values inherent in culture;
Amendment 13 #
Motion for a resolution Recital A a (new) Aa. whereas this specific nature is recognised and promoted by the European Union on the international stage, the EU having adopted a policy of non- liberalisation of audiovisual services and maintenance of its cultural cooperation in the WTO and ratified the Unesco Convention on the Protection and Promotion of the Diversity of Cultural Expressions,
Amendment 130 #
Motion for a resolution Paragraph 10 a (new) 10a. Stresses the importance of the European Digital Library to the process of disseminating the culture of EU Member States, and calls on the Member States to expand its collections on a regular basis;
Amendment 131 #
Motion for a resolution Paragraph 11 11. Calls on the Commission to
Amendment 132 #
Motion for a resolution Paragraph 11 11. Calls on the Commission and all the actors concerned to consider new economic models in the creative and cultural sector which are adapted to the impact of globalisation and the challenges of the digital age, particularly with regard to content industries
Amendment 133 #
Motion for a resolution Paragraph 11 11. Calls on the Commission to
Amendment 134 #
Motion for a resolution Paragraph 11 11. Calls on the Commission to consider new economic models
Amendment 135 #
Motion for a resolution Paragraph 11 a (new) 11a. Calls on the Commission to adapt copyright to the digital age by allowing cultural and creative industries to take full advantage of digital technology and media convergence and to examine specific ways of facilitating the use of creative content and archives and setting up easily accessible systems for acquiring rights;
Amendment 136 #
Motion for a resolution Paragraph 11 b (new) 11b. Calls on the Commission and the Member States to tackle abusive commercial practices and violations of intellectual property rights, which cultural and creative industries can be victims of in both the real and digital economy;
Amendment 137 #
Motion for a resolution Paragraph 11 a (new) 11a. Encourages the Member States to promote the distribution and circulation of works across the European Union;
Amendment 138 #
Motion for a resolution Paragraph 11 b (new) 11b. Reaffirms that the status of European artist must be created so that artists are able to enjoy satisfactory working conditions and appropriate measures in regard to tax systems, their right to work, social security rights and copyright in order to better mobility across the European Union;
Amendment 139 #
Motion for a resolution Paragraph 11 a (new) 11a. Advocates that existing funds and programmes (such as the Microfinance Facility) be directed towards the development of small and micro- enterprises in the cultural and creative sector, with a view to optimising support for enterprises by facilitating access to information on funding options, and that the application procedures for these funds be simplified;
Amendment 14 #
Motion for a resolution Recital A a (new) Aa. whereas as this dual nature differentiates them from other industries, implementation of policies and specific measures must be taken into account,
Amendment 140 #
Motion for a resolution Paragraph 11 a (new) 11a. Calls on the Commission to adopt copyright to the digital era allowing the cultural and creative industries reaping the benefits created by digital technology and media convergence and providing European citizens with affordable access to content and to consider specific ways of facilitating the use of creative content and archived material and putting in place extended collective licensing systems and easy one-stop-shop systems for the clearance of rights;
Amendment 141 #
Motion for a resolution Paragraph 11 a (new) 11a. Calls on the Commission to adapt copyright to the digital era allowing the cultural and creative industries reaping the benefits created by digital technology and media convergence and to consider specific ways of facilitating the use of creative content and archived material and putting in place extended collective licensing systems and easy, one-stop-shop systems for the clearance of rights;
Amendment 142 #
Motion for a resolution Paragraph 11 a (new) 11a. Calls on the Commission to consider more favourable tax conditions for the development of a single market by allowing, for example, the introduction of a reduced rate of VAT for cultural goods and services distributed on and off-line;
Amendment 143 #
Motion for a resolution Paragraph 11 a (new) 11a. Calls on the Commission and the Member States to give particular consideration to the role of libraries as institutions for the dissemination of culture and as forums for dialogue; considers that libraries, together with the educational and cultural sector, should be given responsibility and resources for the digital switchover; recalls that this process is a matter of urgency, since European libraries even now have only limited means to convert satisfactorily to digital media;
Amendment 144 #
Motion for a resolution Subheading 5 Amendment 145 #
Motion for a resolution Paragraph 12 a (new) 12a. Considers that cultural and creative industries should be at the centre of a new European policy agenda in line with the economic needs of the sector and in the context of digitalisation, and that the future Culture Programme should reflect the needs of the cultural and creative sector in the digital age through a more pragmatic, more comprehensive approach;
Amendment 146 #
Motion for a resolution Paragraph 12 a (new) 12a. Calls on the Commission to grant the cultural and creative industries SME status in their own right in regard to all arrangements for access to credit, start-up support and employment protection, which should be suitably adapted to the specificities of the sector, with particular reference to low capitalisation, the brand as an asset, the high risk in the early stage, strong IT impact, irregular employment, the need for centralised services;
Amendment 147 #
Motion for a resolution Paragraph 12 b (new) 12b. Calls in particular on the Commission and the Member States to account of the fact that women are at a particular disadvantage in a sector that is characterised by precariousness and irregular work;
Amendment 148 #
Motion for a resolution Paragraph 12 c (new) 12c. Calls on the Commission to include the fashion and sustainable tourism sectors in the cultural and creative industries;
Amendment 149 #
Motion for a resolution Paragraph 12 a (new) 12a. Highlights the considerable importance of tourism to the cultural and creative industries and recommends that the Commission encourage cities and regions to make greater use of culture as a unique asset, to cooperate more closely with one another in the realm of cultural tourism, to develop forms of cooperation between the cultural sector and the tourism sector and to support both sectors in joint marketing efforts;
Amendment 15 #
Motion for a resolution Recital A a (new) Amendment 150 #
Motion for a resolution Paragraph 12 b (new) 12b. Stresses the significance of the local and regional levels with regard to the development of Europe’s cultural and creative sector and recommends that the Commission involve local and regional authorities in the follow-up measures to the green paper, in accordance with the principle of subsidiarity;
Amendment 151 #
Motion for a resolution Paragraph 12 c (new) 12c. Recommends that the Commission assess the relevance of the structural funds, as well as current and future programmes in the fields of culture, audiovisual media, youth provision and education, in terms of their potential to further the creative sector, and that it formulate conclusions and act on them with a view to an improved support policy;
Amendment 152 #
Motion for a resolution Paragraph 13 13. Calls on all the actors concerned to
Amendment 153 #
Motion for a resolution Paragraph 13 13. Calls on all the actors concerned to consider introducing new, innovative financial instruments
Amendment 154 #
Motion for a resolution Paragraph 13 13. Calls on all the actors concerned to consider introducing new, innovative financial instruments, both at a European level and at national level, which are adapted to the specific needs of these industries, such as bank guarantee measures, repayable advances and venture- capital funds;
Amendment 155 #
Motion for a resolution Paragraph 13 13. Calls on all the actors concerned to consider introducing new, innovative
Amendment 156 #
Motion for a resolution Paragraph 13 13. Calls on all the actors concerned to consider introducing new, innovative financial instruments which are adapted to the specific needs of these industries, such as bank guarantee measures, repayable advances and venture-capital funds; Stresses the importance of professionals in the banking sector being trained to advise on financing cultural and creative projects so that there is better access to credit from financial institutions;
Amendment 157 #
Motion for a resolution Paragraph 13 а (new) 13а. Calls on the Commission and the Member States to consider what scope there may be for establishing specialised European and national funds to finance cultural and creative industries;
Amendment 158 #
Motion for a resolution Paragraph 13 a (new) 13a. Calls on the Commission to adapt the regulatory frameworks to the specific situation of the cultural sector, in particular the competition rules in force, in order to ensure cultural diversity and consumer access to a range of high- quality cultural content and services;
Amendment 159 #
Motion for a resolution Paragraph 14 a (new) 14a. Regrets the reluctance to finance business initiatives related to culture and urges Member States to support creators who wish to develop and present a convincing business plan in this area;
Amendment 16 #
Motion for a resolution Recital A a (new) Aa. whereas Member States should be willing to support culture and creativity as fundamental factors in the preservation and enhancement of cultural and landscape heritage, to be protected and conserved in order to assist in the creation of a sense of identity and heighten the public’s cultural awareness,
Amendment 160 #
Motion for a resolution Paragraph 14 a (new) 14a. Calls on the Commission and the Member States to once again include under the heading of cultural and creative industries non-profit organisations and social economy operators - as defined in the Commission Resolution of 19 February 2009 - as they are active in sectors relevant to the cultural and creative industries, thereby permitting the adoption of tax benefits, easy access to loans and employment protection;
Amendment 161 #
Motion for a resolution Paragraph 14 b (new) 14b. Suggests that the Commission set up an open method of coordination among the Member States, the regions and the stakeholders that draws upon the experience of the European Creative Industries Alliance and the Our Policy Development platform for the exchange of best practice in regard to ways of promoting and protecting the cultural and creative industries, looking at aspects of competitiveness, innovation, upgrading the local area, employment involving high level of professional and technological content, European collaboration;
Amendment 162 #
Motion for a resolution Paragraph 14 c (new) 14c. Calls on the Commission to draw up a white paper, in view of the cultural and creative industries’ ever increasing importance as well as the objective of strengthening this sector, which is of strategic importance for the achievement of the Europe 2020 goals;
Amendment 163 #
Motion for a resolution Paragraph 14 a (new) 14a. Recommends, on the one hand, that more intensive research be conducted into the interdependence of cultural provision and the location of cultural and creative businesses, as well as the EU-wide significance of culture as a factor in companies’ location decisions; and, on the other, that support be given to academic research into the impact which cultural and creative businesses have on the places where they locate;
Amendment 164 #
Motion for a resolution Paragraph 14 b (new) 14b. Recommends that a framework be established for the provision of microcredit to cultural and creative microbusinesses and small businesses;
Amendment 165 #
Motion for a resolution Paragraph 14 a (new) 14a. Underlines the importance of patronage and public-private partnerships in the financing and support of cultural and creative activities and calls for better access to credit for cultural and creative industries, and stresses the importance of putting in place new financial arrangements based, for example, on mixed funds and revolving credit funds;
Amendment 166 #
Motion for a resolution Paragraph 15 15. Underlines the importance of patronage and public-private partnerships in the
Amendment 167 #
Motion for a resolution Paragraph 15 a (new) 15a. Encourages the Member States and local and regional authorities to create favourable conditions for cultural and creative industries to establish contact with the organisations likely to provide them with funding, and calls on those authorities to raise awareness among financial organisations of the specific situation of cultural and creative industries in order to persuade them to invest in these industries, and more particularly in SMEs and very small businesses, on the basis of cultural projects with a strong economic potential;
Amendment 168 #
Motion for a resolution Paragraph 15 b (new) 15b. Calls on local and regional authorities to join together in networks with a view to exchanging good practice and setting up cross-border and transnational pilot projects;
Amendment 169 #
Motion for a resolution Paragraph 15 a (new) 15a. Encourages local, territorial and regional bodies to make the financial institutions more aware of the special features of the cultural and creative industries so they are motivated to invest in these industries and in particular in the SMEs;
Amendment 17 #
Motion for a resolution Recital A b (new) Ab. whereas cultural and creative industries are a strategic sector for better economic development and jobs,
Amendment 170 #
Motion for a resolution Paragraph 15 b (new) 15b. Calls on the Commission to set up a multilingual portal establishing a European network connecting professionals in the cultural and creative sector so they may exchange experience and best practices, cooperate on common transnational and cross-border projects, and acquaint themselves with the statutory rules in force, copyright issues, social rights and potential funding;
Amendment 171 #
Motion for a resolution Paragraph 15 a (new) 15a. Calls on Member States and the Commission to better aid the transition of creative talent into entrepreneurial success;
Amendment 172 #
Motion for a resolution Paragraph 15 a (new) 15a. Calls on the Commission and the Member States to promote patronage and thus strengthen the link between cultural and creative industries and enterprises through tax incentives;
Amendment 173 #
Motion for a resolution Paragraph 15 b (new) 15b. Asks for support for specific financing measures for cultural and creative industries as returns on investment in this sector come in the longer term;
Amendment 174 #
Motion for a resolution Paragraph 15 c (new) 15c. Recognises the need to promote innovation in the field of technology, but also in the field of production processes and when developing projects themselves;
Amendment 175 #
Motion for a resolution Paragraph 15 d (new) 15d. Recognises that the development of intangibles (such as ideas and storytelling) must include the concept of innovation in terms of (i) the narrative itself and (ii) the tools used in that narration (cross-media and multiplatform products);
Amendment 176 #
Motion for a resolution Paragraph 15 e (new) 15e. Recognises the importance of cultural and creative industries in fostering the development of European content thereby contributing to the cultural convergence of the Member States and a closer relationship between their people;
Amendment 177 #
Motion for a resolution Paragraph 15 f (new) 15f. Recognises the effectiveness of EU programmes such as the Competitiveness and Innovation Programme in enabling SMEs to access financing, and suggests that the Commission assess the possibility of devising similar specific programmes for cultural and creative industries, given how important this type of company is to recovering from the current recession;
Amendment 178 #
Motion for a resolution Paragraph 15 g (new) Amendment 179 #
Motion for a resolution Paragraph 15 h (new) 15h. Recognises the need to encourage the creation of platforms and international networks with the aim of transferring innovation and improving competitiveness in the field of technology and content;
Amendment 18 #
Motion for a resolution Recital A c (new) Ac. whereas the General Agreement on Trade in Services (GATS) provides by way of an exception for the right to implement policies to protect cultural diversity, which is systematically applied by the EU and its Member States,
Amendment 180 #
Motion for a resolution Paragraph 15 i (new) 15i. Recognises that it is not just innovation in technological production that must be promoted but also innovation in management processes and in developing the projects themselves and their distribution and marketing;
Amendment 181 #
Motion for a resolution Paragraph 15 a (new) 15a. Recommends that, in future, when European Capitals of Culture are being selected, one of the criteria should be the potential of the applicants’ ideas in relation to the cultural and creative industries;
Amendment 182 #
Motion for a resolution Paragraph 15 b (new) 15b. Calls on the Member States and the Commission to boost the export of cultural and creative products and services and strive to raise the profile of Europe’s cultural and creative industries outside the EU;
Amendment 19 #
Motion for a resolution Recital A d (new) Ad. whereas various Member States have successfully set up national interdisciplinary boards on cultural and creative industries, publishing documents such as the Creative Economy Green Paper for the Nordic Region (Nordic Council, 2007), Creative Britain – New Talents for the New Economy (United Kingdom, 2008), Creative Value (Culture and Economy Policy paper, 2009) (Netherlands), Potential of Creative Industries in Estonia (2009) and the Libro Bianco sulla Creatività [White Paper on Creativity] (Italy, 2010),
Amendment 2 #
Motion for a resolution Citation 6 a (new) – Having regard to the Commission’s Communication on a European agenda for culture in a globalizing world (COM(207)0242),
Amendment 20 #
Motion for a resolution Recital B B. whereas
Amendment 21 #
Motion for a resolution Recital B B. whereas, in the European Union, cultural and creative industries play a major role in promoting cultural and linguistic diversity, pluralism and social and territorial cohesion, democratising access to culture and promoting intercultural dialogue, but also in democratising access to culture and promoting intercultural dialogue throughout the Union,
Amendment 22 #
Motion for a resolution Recital B a (new) Ba. whereas, in accordance with Article 167(4) TFEU, it is necessary to integrate culture into the other European policies, both internal and external, and in this regard to be particularly attentive, in the context of the current globalisation, to the protection and promotion of the diversity of cultural expressions,
Amendment 23 #
Motion for a resolution Recital B b (new) Bb. whereas the 2005 Unesco Convention on the Protection and Promotion of the Diversity of Cultural Expressions recognises the major role of cultural and creative industries in producing, distributing and providing access to the wide range of cultural goods and services and encourages international cooperation,
Amendment 24 #
Motion for a resolution Recital B c (new) Bc. whereas cultural and creative industries are laboratories for artistic, technical and management innovation and whereas they make possible a broader dissemination of works and artists at European and international level and whereas they contribute to the intercultural dialogue and social cohesion,
Amendment 25 #
Motion for a resolution Recital B d (new) Bd. whereas the development of trade in cultural and creative goods and services constitutes an important pillar for culture, development and democracy,
Amendment 26 #
Motion for a resolution Recital B a (new) Ba. whereas Europe’s cultural diversity, and particularly its rich heritage of regional languages and cultures, constitutes an irreplaceable raw material for the CCI,
Amendment 27 #
Motion for a resolution Recital B a (new) Ba. whereas Newspapers and magazines are essential components of cultural industries as well as a pluralistic and diverse European media landscape,
Amendment 28 #
Motion for a resolution Recital C a (new) Ca. whereas the role of cultural content in the digital economy is crucial, and whereas Europe’s digital growth will depend in future on having a varied supply of high-quality cultural content,
Amendment 29 #
Motion for a resolution Recital C b (new) Cb. whereas cultural and creative industries can create wealth and jobs if they are given the means to be competitive with the CCI in countries outside the European Union in the context of a European international competition strategy,
Amendment 3 #
Motion for a resolution Citation 6 b (new) – having regard to the UNCTAD ‘Creative Economy Report 2008: The challenge of assessing the creative economy towards informed policy- making’,
Amendment 30 #
Motion for a resolution Recital C a (new) Ca. whereas the sectors of culture and creativity account for approximately 2.6% of GDP in the EU and employ more than 5 million workers,
Amendment 31 #
Motion for a resolution Recital D D. whereas the digital age opens new possibilities for these industries by introducing new economic models enabling consumers to have access to a range of high-quality products, and whereas, for this new product range to be attractive and endure, a legal framework should be established for the new economic models in order particularly to boost consumer confidence in Internet sites,
Amendment 32 #
Motion for a resolution Recital D a (new) Da. whereas the risk of poverty has always been particularly acute for creators, and their position in the marketplace has been further undermined by digitisation,
Amendment 33 #
Motion for a resolution Recital D a (new) Da. whereas the content industry is taking a lot of efforts to develop legal offers on cultural online content, all stakeholders should join forces to raise awareness about the existing legal offers of online content,
Amendment 34 #
Motion for a resolution Recital D a (new) Da. whereas the digital age also poses challenges to the sustainability of traditional sectors of these industries, including book publishing, bookselling and the print media,
Amendment 35 #
Motion for a resolution Recital E E. whereas there must be a guarantee of strategic investments in cultural and creative industries, for example through access to funding which is adapted to their specific characteristics and needs,
Amendment 36 #
Motion for a resolution Recital E a (new) Ea. whereas Europe’s cultural and creative industries not only play an essential role in promoting cultural diversity, pluralism of the media and participative democracy in Europe, but also constitute a major engine of sustainable growth and economic recovery in the European Union; whereas particular attention must be paid to cultural and language specificities in the debate on the establishment of a single market in the creative content sector,
Amendment 37 #
Motion for a resolution Recital F F. whereas creativity depends on the accessibility of existing creative knowledge and content, and whereas it is essential to ensure the artistic and cultural education of citizens
Amendment 38 #
Motion for a resolution Recital F F. whereas it is essential to ensure the artistic and cultural education of citizens and to appreciate the creative process in order to develop creativity and knowledge of the arts, culture, cultural heritage and the cultural diversity of the EU, education should extend to learning about not only digital rights but also obligations, to foster better understanding and respect of works protected by IPRs,
Amendment 39 #
Motion for a resolution Recital F F. whereas it is essential to ensure the artistic and cultural education of citizens and to appreciate the creative process in order to develop creativity and knowledge of the arts, culture, cultural heritage and the cultural diversity of the E
Amendment 4 #
Motion for a resolution Citation 8 – having regard to its resolution of 10 April 2008 on a European agenda for culture in a globalising world
Amendment 40 #
Motion for a resolution Recital F a (new) Fa. whereas the creative and cultural industries have a role to play in preserving distinctive, invaluable and unique skills and abilities through the fusion of contemporary creativity and long-standing experience and whereas, especially in certain sectors such as, for example, fashion, watchmaking and jewellery, the reputation and worldwide success of European industries in the sector are founded upon the manual skills and expertise of artisans and creatives,
Amendment 41 #
Motion for a resolution Recital G G. whereas cultural and creative industries play a major role in developing centres of creativity at local and regional level which make regions more attractive and allow businesses and jobs anchored in the local and regional economic fabric to be created and developed, make the regions more attractive to tourists, promote the setting up of new businesses and enhance the profile of these regions, and promote the cultural and artistic sector and the preservation, promotion and enhancement of the European cultural heritage thanks to numerous agencies such as local and regional authorities,
Amendment 42 #
Motion for a resolution Recital G a (new) Ga. whereas artists do not have at present a legal status at EU level that takes into account the specific nature of their work and their career, in regard to mobility, working conditions and social protection in particular,
Amendment 43 #
Motion for a resolution Recital G a (new) Ga. whereas they play a role in European competitiveness in the global economy,
Amendment 44 #
Motion for a resolution Recital G b (new) Gb. whereas culture and creativity are very important to the European Union’s external relations, being the subject of a report by the Committee on Culture and Education which is awaiting approval (2010/2161(INI)),
Amendment 45 #
Motion for a resolution Recital G c (new) Gc. whereas the European Neighbourhood and Partnership Instrument (ENPI) and its regional action plan (RIP) have been approved and funded for 2011-2013,
Amendment 46 #
Motion for a resolution Recital G d (new) Gd. whereas the cultural and creative industries have an influence on almost every other economic sector, furnishing them with innovations that are decisive for competitiveness, especially where JTIs are concerned,
Amendment 47 #
Motion for a resolution Recital G e (new) Ge. whereas the role of the European Creative Industries Alliance should be enhanced,
Amendment 48 #
Motion for a resolution Recital G f (new) Gf. whereas the cultural and creative industries sector is enhanced and its visibility ensured through various initiatives by the European Parliament and the Council of Europe, such as the Europe Prize, the LUX Prize, and the Cultural Routes,
Amendment 49 #
Motion for a resolution Recital G a (new) Ga. whereas many people involved in the creative and cultural industries are self- employed,
Amendment 5 #
Motion for a resolution Citation 9 a (new) Amendment 50 #
Motion for a resolution Recital G b (new) Gb. whereas the cultural and creative industries are a growth market in the EU and an area where Member States have the potential to be global market leaders,
Amendment 51 #
Motion for a resolution Recital G c (new) Gc. whereas the cultural and creative industries are key enablers of innovation in other sectors,
Amendment 52 #
Motion for a resolution Paragraph -1 (new) -1. Acknowledges the impact, competitiveness and future potential of cultural and creative industries as an important engine for sustainable growth in Europe that can play a decisive role in the EU's economic recovery;
Amendment 53 #
Motion for a resolution Paragraph -1 (new) -1. Recommends the mainstreaming of policies for the cultural and creative industries within the EU’s political and administrative system;
Amendment 54 #
Motion for a resolution Paragraph 1 Amendment 55 #
Motion for a resolution Paragraph 1 1.
Amendment 56 #
Motion for a resolution Paragraph 1 1. Underlines the need to analyse cultural and creative industries and the impact of their activities on the European economy, describing them each in turn, in order to highlight their characteristics, better understand their goals and problems and implement more effective measures;
Amendment 57 #
Motion for a resolution Paragraph 1 a (new) 1a. Stresses that, as well as contributing directly to GDP, culture provides added value as a factor for social cohesion;
Amendment 58 #
Motion for a resolution Paragraph 1 a (new) 1a. Calls on the Member States to be strongly committed to protecting and supporting their own cultural heritage, recognising that for cultural and creative industries to develop requires a dual economy where public and private investment coexist;
Amendment 59 #
Motion for a resolution Paragraph 2 Amendment 6 #
Motion for a resolution Citation 10 a (new) – having regard to its resolution of 19 February 2009 on Social Economy (2008/2250(INI)),
Amendment 60 #
Motion for a resolution Paragraph 2 2. Underlines the need to consider working conditions and the economic, social, and legal
Amendment 61 #
Motion for a resolution Paragraph 2 2.
Amendment 62 #
Motion for a resolution Paragraph 2 2. Underlines the need to consider working conditions and the economic, social, legal and taxation aspects of these sectors; stresses, in this respect, the need to fight against pay discrimination and to improve the degree to which jobs match the level of qualifications;
Amendment 63 #
Motion for a resolution Paragraph 2 2. Underlines the need to consider working conditions and the economic, social, legal and taxation aspects of these sectors; invites the Commission, therefore, to analyse the impact the cultural and creative industries have on the EU economy, and to publish a performance evaluation guide on employment and business wealth creation in each of the sector’s branches;
Amendment 64 #
Motion for a resolution Paragraph 2 a (new) 2a. Stresses the need to develop a strong sense of cultural and creative entrepreneurship at local, regional, national and European level;
Amendment 65 #
Motion for a resolution Paragraph 2 b (new) 2b. Asks the Commission to consider the possibility of establishing specific actions and suitable tools to support and develop European cultural and creative industries, in particular SMEs, with the aim of improving the creation, production, promotion and distribution of cultural goods and services;
Amendment 66 #
Motion for a resolution Paragraph 2 a (new) Amendment 67 #
Motion for a resolution Paragraph 2 a (new) 2a. Stresses that the concept of the cultural and creative industries cannot be understood as including the public promotion of culture, and that the cultural and creative industries are engaged in the creation, production, distribution and/or media dissemination of cultural or creative goods and services primarily for commercial purposes;
Amendment 68 #
Motion for a resolution Paragraph 2 a (new) 2a. Recognises that, as sources of economic and social innovation in many other sectors of the economy, cultural and creative industries have great synergising power while simultaneously contributing to the promotion of low carbon emission economic environments;
Amendment 69 #
Motion for a resolution Paragraph 2 a (new) 2a. Underlines the need to give due regard to the challenges facing traditional sectors of the cultural and creative industries, such as book publishing, bookselling and the print media;
Amendment 7 #
Motion for a resolution Citation 10 b (new) – having regard to the statistics produced by ESSnet-culture, set up in 2009 under the auspices of Eurostat,
Amendment 70 #
Motion for a resolution Paragraph 3 3. Encourages the Member States and the Commission to promote artistic and cultural education among all age groups, from primary to higher and/or vocational education, including in the context of lifelong learning;
Amendment 71 #
Motion for a resolution Paragraph 3 3. Emphasises that the promotion of cultural education is an essential precondition both for the development of cultural resources and for prosperity in the cultural industries because, while culture can exist in the absence of cultural industries, cultural industries cannot exist in the absence of culture; encourages the Member States and the Commission, therefore, to promote artistic and cultural education among all age groups, from primary to higher or vocational
Amendment 72 #
Motion for a resolution Paragraph 3 3. Encourages the Member States and the Commission both to promote artistic and cultural education (with particular emphasis on creativity) among all age groups, from primary to higher or vocational education, and to develop creators’ entrepreneurial skills, including in the context of lifelong learning;
Amendment 73 #
Motion for a resolution Paragraph 3 3. Encourages the Member States and the Commission to promote artistic and cultural education among all age groups, from primary to higher or vocational
Amendment 74 #
Motion for a resolution Paragraph 4 4. Underlines the need to pass on techniques and know-how and the value of reinforcing learning and setting up professional training programmes focused on the cultural and creative sector, better harnessing the use of existing programmes and curricula, providing multidisciplinary education and promoting cooperation and partnerships between
Amendment 75 #
Motion for a resolution Paragraph 4 a (new) 4a. Reiterates that the Commission and the Member States need to take account of the special nature of the curricula vitae of creatives and artists when defining vocational and training paths, recognising as training credits skills acquired in formal, non formal and informal environments;
Amendment 76 #
Motion for a resolution Paragraph 4 b (new) 4b. Reminds the Commission and the Member States of the urgent need to recognise vocational qualifications in the cultural and creative industries, to promote student and lecturer mobility and further develop training-work experience internships for artists and creatives;
Amendment 77 #
Motion for a resolution Paragraph 4 a (new) 4a. Calls on the Commission and the Member States to grant artists, who are at the heart of the innovation process, a separate professional status in terms of pay, employment support and access to lifelong learning;
Amendment 78 #
Motion for a resolution Paragraph 5 5. Stresses the need to create optimum conditions for employing university- educated and professional young people from this sector and to foster opportunities for them to become self-employed entrepreneurs, as well as to train them in the specific economic, taxation, financial and technological aspects of the cultural and creative world and in communication and marketing;
Amendment 79 #
Motion for a resolution Paragraph 5 5. Stresses the need to create optimum conditions for employing university- educated and professional young people from this sector and to train them, together with all other students in this field, in the specific economic, taxation, financial and technological aspects of the cultural and creative world and in communication and marketing;
Amendment 8 #
Motion for a resolution Citation 10 c (new) – having regard to the Commission Communication on ‘Copyright in the Knowledge Economy’ (COM(2009)0532),
Amendment 80 #
Motion for a resolution Paragraph 5 5. Stresses the need to create optimum conditions for employing university- educated and professional young people from this sector and to train them in the specific economic, taxation, financial and technological aspects of the cultural and creative world and in communication and marketing, intellectual property rights and intergenerational knowledge transfer;
Amendment 81 #
Motion for a resolution Paragraph 5 a (new) 5a. Invites the Commission and those Member States that have not yet done so to act on the UNESCO Recommendation concerning the Status of the Artist;
Amendment 82 #
Motion for a resolution Paragraph 5 b (new) 5b. Emphasises the danger of a shortage of manpower in some highly skilled or very specific trades which contribute to the existence of cultural and creative industries in the European Union and asks the Commission and the Member States to take necessary measures, in conjunction with the enterprises, to ensure these unique skills are preserved and to facilitate the training of a new generation of artisans and workers specialising in these trades;
Amendment 83 #
Motion for a resolution Paragraph 5 a (new) 5a. Recognises also that there is a risk of failing to harness the potential of cultural and creative industries if the requisite steps are not taken to ensure better matching of worker skills supply and labour market demand, which would enhance the competitive potential of the sector,
Amendment 84 #
Motion for a resolution Paragraph 6 6. Calls on local and regional authorities to
Amendment 85 #
Motion for a resolution Paragraph 6 6. Calls on local and regional authorities to establish meeting places and set the basis for the creation of local networks in order to raise awareness in cultural and creative industries among people working in the sector, through the sharing of expertise and training in new technologies, and among the general public;
Amendment 86 #
Motion for a resolution Paragraph 6 6. Calls on local and regional authorities to establish meeting places in order to raise awareness in cultural and creative industries among people working in the sector, through the sharing of expertise
Amendment 87 #
Motion for a resolution Paragraph 6 a (new) 6a. Emphasizes that local and regional authorities can contribute significantly to better dissemination and circulation of cultural goods by organizing, supporting and promoting cultural events;
Amendment 88 #
Motion for a resolution Paragraph 6 a (new) 6a. Calls for the inclusion in the programme of events celebrating the European Capitals of Culture a debate on the potential of creative and cultural industries;
Amendment 89 #
Motion for a resolution Paragraph 7 7. Calls on the European Commission to
Amendment 9 #
Motion for a resolution Citation 12 a (new) – having regard to the Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions on ‘Europe, the world's No 1 tourist destination – a new political framework for tourism in Europe’ (COM(2010)0352),
Amendment 90 #
Motion for a resolution Paragraph 7 7. Calls on the European Commission to set up a multilingual platform so that people working in the cultural and creative sector can join a European-level network
Amendment 91 #
Motion for a resolution Paragraph 7 a (new) 7a. Calls on the Commission and the Member States to determine the requirements for the status of artist and creative with suitable regulatory instruments covering social protection, employment support and access to training courses, so that the artists, authors and creatives without whom the cultural and creative industries would not exist are helped to achieve their full potential;
Amendment 92 #
Motion for a resolution Paragraph 7 b (new) 7b. Calls on the Commission to promote joint research and partnership programmes between the cultural and creative industries and the education and training sector (including in-service training), to facilitate the use of new techniques and new creative tools in the education sector, to step up lifelong education and training – specifically through use of the European Social Fund – in view of the pace of technological change in this field, and conversely, by means of research and education, to encourage innovation in the cultural and creative industries; stresses that intercultural learning and skills help people understand other cultures, thereby contributing to social inclusion;
Amendment 93 #
Motion for a resolution Paragraph 7 c (new) 7c. Calls on the Member States to promote the availability of managerial, business and entrepreneurial training specifically tailored for professionals in the cultural and creative industries, thus equipping them with communication and entrepreneurial skills required in an ever evolving socio-economic environment; notes the positive training and management experience developed in the audiovisual field by the MEDIA programme and hopes to see the Culture programme equipped with similar instruments;
Amendment 94 #
Motion for a resolution Paragraph 7 d (new) 7d. Establishes an annual prize for cultural and creative industries noted for their innovation in content, impact on social cohesion, local development and economic sustainability;
Amendment 95 #
Motion for a resolution Paragraph 7 a (new) 7a. Stresses the importance of developing finance and business management consultation and advisory services to allow people working in the cultural and creative sector, and particularly SMEs and very small businesses, to understand the tools required for good business management in order to improve the creation, production, promotion and distribution of cultural goods and services;
Amendment 96 #
Motion for a resolution Paragraph 7 b (new) 7b. Stresses the need to train professionals capable of ensuring the economic and financial viability of cultural and creative projects in order to improve access to credit when faced with financial and banking institutions that are generally unfamiliar with the specific characteristics of this sector;
Amendment 97 #
Motion for a resolution Paragraph 7 a (new) 7a. Calls on the Commission to encourage SMEs to innovate through increased use of ICTs and to adapt Europe's research and innovation programmes to include SMEs;
Amendment 98 #
Motion for a resolution Paragraph 7 b (new) 7b. Urges the Commission and Member States in association with the stake holders to organise a campaign to raise awareness at European, national and local level, especially among young European consumers, of the need to respect IPR;
Amendment 99 #
Motion for a resolution Paragraph 7 a (new) 7a. Urges the Commission and the Member States to organise a campaign, in association with all stakeholders, to raise awareness at European, national and local level, especially among the young European consumers, of the need to respect IPR;
source: PE-454.693
|
History
(these mark the time of scraping, not the official date of the change)
docs/5/docs/0/url |
https://www.europarl.europa.eu/doceo/document/JURI-AD-454701_EN.html
|
docs/6/docs/0/url |
https://www.europarl.europa.eu/doceo/document/REGI-AD-456617_EN.html
|
docs/10 |
|
docs/10 |
|
docs/11 |
|
docs/11 |
|
docs/12 |
|
docs/12 |
|
events/0/docs/0/url |
Old
http://www.europarl.europa.eu/registre/docs_autres_institutions/commission_europeenne/com/2010/0183/COM_COM(2010)0183_EN.pdfNew
http://www.europarl.europa.eu/RegData/docs_autres_institutions/commission_europeenne/com/2010/0183/COM_COM(2010)0183_EN.pdf |
events/5/docs |
|
committees/0/shadows/4 |
|
docs/0/docs/0/url |
Old
http://www.europarl.europa.eu/sides/getDoc.do?type=COMPARL&mode=XML&language=EN&reference=PE448.926&secondRef=03New
https://www.europarl.europa.eu/doceo/document/EMPL-AD-448926_EN.html |
docs/1/docs/0/url |
Old
http://www.europarl.europa.eu/sides/getDoc.do?type=COMPARL&mode=XML&language=EN&reference=PE454.692New
https://www.europarl.europa.eu/doceo/document/CULT-PR-454692_EN.html |
docs/2/docs/0/url |
Old
http://www.europarl.europa.eu/sides/getDoc.do?type=COMPARL&mode=XML&language=EN&reference=PE452.826&secondRef=02New
https://www.europarl.europa.eu/doceo/document/INTA-AD-452826_EN.html |
docs/3/docs/0/url |
Old
http://www.europarl.europa.eu/sides/getDoc.do?type=COMPARL&mode=XML&language=EN&reference=PE454.435&secondRef=02New
https://www.europarl.europa.eu/doceo/document/ITRE-AD-454435_EN.html |
docs/4/docs/0/url |
Old
http://www.europarl.europa.eu/sides/getDoc.do?type=COMPARL&mode=XML&language=EN&reference=PE454.693New
https://www.europarl.europa.eu/doceo/document/CULT-AM-454693_EN.html |
docs/5/docs/0/url |
http://www.europarl.europa.eu/sides/getDoc.do?type=COMPARL&mode=XML&language=EN&reference=PE454.701&secondRef=02
|
docs/6/docs/0/url |
http://www.europarl.europa.eu/sides/getDoc.do?type=COMPARL&mode=XML&language=EN&reference=PE456.617&secondRef=02
|
docs/8/docs/0/url |
Old
http://www.europarl.europa.eu/doceo/document/A-7-2011-0143_EN.htmlNew
https://www.europarl.europa.eu/doceo/document/A-7-2011-0143_EN.html |
events/0/docs/0/url |
Old
http://www.europarl.europa.eu/RegData/docs_autres_institutions/commission_europeenne/com/2010/0183/COM_COM(2010)0183_EN.pdfNew
http://www.europarl.europa.eu/registre/docs_autres_institutions/commission_europeenne/com/2010/0183/COM_COM(2010)0183_EN.pdf |
events/1/type |
Old
Committee referral announced in Parliament, 1st reading/single readingNew
Committee referral announced in Parliament |
events/2/type |
Old
Vote in committee, 1st reading/single readingNew
Vote in committee |
events/3 |
|
events/3 |
|
events/5/docs |
|
events/6 |
|
events/6 |
|
procedure/Modified legal basis |
Rules of Procedure EP 150
|
procedure/Other legal basis |
Rules of Procedure EP 159
|
procedure/legal_basis/0 |
Rules of Procedure EP 54
|
procedure/legal_basis/0 |
Rules of Procedure EP 052
|
committees/0 |
|
committees/0 |
|
committees/1 |
|
committees/1 |
|
committees/2 |
|
committees/2 |
|
committees/3 |
|
committees/3 |
|
committees/5 |
|
committees/5 |
|
committees/6 |
|
committees/6 |
|
docs/7/docs/0/url |
Old
http://www.europarl.europa.eu/RegData/docs_autres_institutions/commission_europeenne/sec/2011/0399/COM_SEC(2011)0399_EN.pdfNew
http://www.europarl.europa.eu/registre/docs_autres_institutions/commission_europeenne/sec/2011/0399/COM_SEC(2011)0399_EN.pdf |
docs/8/docs/0/url |
Old
http://www.europarl.europa.eu/sides/getDoc.do?type=REPORT&mode=XML&reference=A7-2011-143&language=ENNew
http://www.europarl.europa.eu/doceo/document/A-7-2011-0143_EN.html |
docs/9/body |
EC
|
events/0/docs/0/url |
Old
http://www.europarl.europa.eu/registre/docs_autres_institutions/commission_europeenne/com/2010/0183/COM_COM(2010)0183_EN.pdfNew
http://www.europarl.europa.eu/RegData/docs_autres_institutions/commission_europeenne/com/2010/0183/COM_COM(2010)0183_EN.pdf |
events/3/docs/0/url |
Old
http://www.europarl.europa.eu/sides/getDoc.do?type=REPORT&mode=XML&reference=A7-2011-143&language=ENNew
http://www.europarl.europa.eu/doceo/document/A-7-2011-0143_EN.html |
events/6/docs/0/url |
Old
http://www.europarl.europa.eu/sides/getDoc.do?type=TA&language=EN&reference=P7-TA-2011-240New
http://www.europarl.europa.eu/doceo/document/TA-7-2011-0240_EN.html |
activities |
|
commission |
|
committees/0 |
|
committees/0 |
|
committees/1 |
|
committees/1 |
|
committees/2 |
|
committees/2 |
|
committees/3 |
|
committees/3 |
|
committees/4 |
|
committees/4 |
|
committees/5 |
|
committees/5 |
|
committees/6 |
|
committees/6 |
|
docs |
|
events |
|
links |
|
other |
|
procedure/Modified legal basis |
Old
Rules of Procedure of the European Parliament EP 150New
Rules of Procedure EP 150 |
procedure/dossier_of_the_committee |
Old
CULT/7/03643New
|
procedure/legal_basis/0 |
Rules of Procedure EP 052
|
procedure/legal_basis/0 |
Rules of Procedure of the European Parliament EP 052
|
procedure/subject |
Old
New
|
activities/0/docs/0/url |
Old
http://www.europarl.europa.eu/registre/docs_autres_institutions/commission_europeenne/com/2010/0183/COM_COM(2010)0183_EN.pdfNew
http://www.europarl.europa.eu/RegData/docs_autres_institutions/commission_europeenne/com/2010/0183/COM_COM(2010)0183_EN.pdf |
activities/1/committees/3/rapporteur/0/mepref |
Old
545fe9e5d1d1c57374000000New
4f1ac76db819f25efd000088 |
activities/2/committees/3/rapporteur/0/mepref |
Old
545fe9e5d1d1c57374000000New
4f1ac76db819f25efd000088 |
committees/3/rapporteur/0/mepref |
Old
545fe9e5d1d1c57374000000New
4f1ac76db819f25efd000088 |
activities |
|
committees |
|
links |
|
other |
|
procedure |
|